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Trance Performance: The Rock Art of Boontjieskloof and Sevilla
3 references·16 citing·42 second hop
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(1997)Holocene later stone age hunt…Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif (1995)Seeing and Construing: The Ma…Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed (1993)Rock art and changing percept…Preliminary Report on the Koebee Rock Paintings, Western Cape Province, South Africa (1993)Preliminary Report on the Koe…Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa (1991)Shamanism and Rock Paintings:…Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa (1989)Interpreting paintings withou…Dots and Dashes: Cracking the Entoptic Code in Bushman Rock Paintings (1989)Dots and Dashes: Cracking the…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Miscast: negotiating the presence of the Bushmen (1998)The Evolution of Theory, Method and Technique in Southern African Rock Art Research (2006)Hunter-Gatherers and Farmers: Some Implications of 1,800 Years of Interaction in the Maloti-Drakensberg Region of Southern Africa (2009)Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa (2013)Hunters and Herders of Southern Africa (1992)Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples (1993)The Jackal and the Lion: Aspects of Khoisan Folklore (2016)The Evolution of Human Dance: Courtship, Rites of Passage, Trance, Calendrical Ceremonies and the Professional Dancer (2018)The !Kung of Nyae Nyae (1976)The !Kung San: Men, Women and Work in a Foraging Society. 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(1983)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’ in Western Arnhem Lane (NT), Australia (2000)The Rock Art of Bongani Mountain Lodge and Its Environs, Mpumalanga Province, South Africa: An Introduction to Problems of Southern African Rock-Art Regions (2002)The idea of history (1946)Le mobilier funéraire de la Dame de Saint-Germain-la-Rivière (Gironde) et l’origine paléolithique des inégalités (2003)Prehistoric Rock Art: Polemics and Progress (2010)!Kung Bushman Religious Beliefs (1962)Ethnography and Iconography: Aspects of Southern San Thought and Art (1980)The Economic and Social Context of Southern San Rock Art [and Comments and Reply] (1982)Expressions of fertility in the rock art of Bantu-speaking agriculturists (1994)Spiritual and Political Uses of a Rock Engraving Site and Its Imagery by San and Tswana-Speakers (1995)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Ritualized Behavior in the Middle Stone Age: Evidence from Rhino Cave, Tsodilo Hills, Botswana (2011)The symbolic role of the underground world among Middle Paleolithic Neanderthals (2021)Images of war: A problem in San rock art research (1986)Threads of Light: Re-Examining a Motif in Southern African San Rock Art (2000)
this work references cited by second hop

References

  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 1981The Thin Red Line: Southern San Notions and Rock Paintings of Supernatural Potency65 cited
  • 1983The Trance Hypothesis and the Rock Art of Zimbabwe60 cited

Cited by

  • 1997Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P.45 cited
  • 1991Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa44 cited
  • 1995Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif43 cited
  • 1989Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa43 cited
  • 2012The southern San and the trance dance: a pivotal debate in the interpretation of San rock paintings41 cited
  • 2001'Big Pictures': Insights into Southern African San Rock Paintings of Ostriches38 cited
  • 1989Dots and Dashes: Cracking the Entoptic Code in Bushman Rock Paintings35 cited
  • 1999Painted Slabs from Steenbokfontein Cave: The Oldest Known Parietal Art in Southern Africa30 cited
  • 2015Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa27 cited
  • 2018Designing Digital Recording for Volunteers in Rock Art Surveys, Management Plans and Public Outreach in the Cederberg, South Africa

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25 cited
  • 2000Hunter-Gatherer Child Burials from the Pakhuis Mountains, Western Cape: Growth, Diet and Burial Practices in the Late Holocene24 cited
  • 1993Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed23 cited
  • 2014Ritual as performance in small-scale societies21 cited
  • 2015San rock art: evidence and argument20 cited
  • 1993Preliminary Report on the Koebee Rock Paintings, Western Cape Province, South Africa20 cited
  • 1999Red Lines and Arrows: Attributes of Supernatural Potency in San Rock Art of the Northern Province, South Africa and South-Western Zimbabwe18 cited