Remarks on “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner

Andrew Mead

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Musicology and Musical Analysis Music Technology and Sound Studies Literature, Musicology, and Cultural Analysis

Abstract

Twelve-tone theory has thrived for more than half a century in the work of a number of North American writers, including Milton Babbitt, Robert Morris, and David Lewin. This article touches on a number of ways their work intersects with the procedures and observations found in “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner, and encourages a continuing dialogue in hopes of continued enrichment to those interested in the topic.

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References

1988Generalized Musical Intervals and Transformations 1963Perspectives of New Music 1987Composition With Pitch-Classes 1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS 1961Set Structure as a Compositional Determinant 1961The Source Set and Its Aggregate Formations 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One 1985Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music

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