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Remarks on “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner
16 references·0 citing·26 second hop
Remarks on “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner (2015)Remarks on “Tone Rows and Tropes” by Hara…Some Implications of the Pitch-Class/Order-Number Isomorphism Inherent in the Twelve-Tone System Part Two: The Mallalieu Complex: Its Extensions and Related Rows (1989)Some Implications of the Pitc…Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One (1988)Some Implications of the Pitc…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Composition With Pitch-Classes (1987)Composition With Pitch-Classes'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music (1987)'Tonal' Forms in Arnold Schoe…Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music (1985)Large-Scale Strategy in Arnol…Set Groups, Complementation, and Mappings among Pitch-Class Sets (1982)Set Groups, Complementation, …Sets, Invariance and Partitions (1978)Sets, Invariance and Partitio…On Pitch or Rhythm: Interpretations of Orderings of and in Pitch and Time (1975)On Pitch or Rhythm: Interpret…The Structure of All-Interval Series (1974)The Structure of All-Interval…Some Combinational Properties of Pitch Structures (1965)Some Combinational Properties…Perspectives of New Music (1963)Perspectives of New MusicA Theory of Segmental Association in Twelve-Tone Music (1962)A Theory of Segmental Associa…The Source Set and Its Aggregate Formations (1961)The Source Set and Its Aggreg…Set Structure as a Compositional Determinant (1961)Set Structure as a Compositio…TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)TWELVE-TONE INVARIANTS AS COM…Composition with Arrays (1970)"Ist Alles Eins": Schoenberg and Symmetry (2004)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Style and Idea (1950)Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music (2001)Of "Modell-Typen" and "Reihenformen": Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation (1995)Mathematics and the Twelve-Tone System: Past, Present, and Future (2009)Tone rows and tropes (2015)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Schoenberg's Twelve-Tone Music (2014)Performing Knowledge (2020)Some Combinational Resources of Equal-Tempered Systems (1967)Music theory and mathematics (2002)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Music Theory and 'Good Comparison': A Viennese Perspective (1989)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Banjo Transformations and Bluegrass Rhythm (2009)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)Chromatic Transformations in Nineteenth-Century Music (2002)A Platonic Model of Funky Rhythms (2016)
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References

  • 1988Generalized Musical Intervals and Transformations494 cited
  • 1963Perspectives of New Music383 cited
  • 1987Composition With Pitch-Classes167 cited
  • 1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS115 cited
  • 1961Set Structure as a Compositional Determinant87 cited
  • 1961The Source Set and Its Aggregate Formations75 cited
  • 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One52 cited
  • 1985Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music40 cited
  • 1962A Theory of Segmental Association in Twelve-Tone Music35 cited
  • 1974The Structure of All-Interval Series33 cited
  • 1978Sets, Invariance and Partitions32 cited
  • 1987'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music28 cited
  • 1982Set Groups, Complementation, and Mappings among Pitch-Class Sets27 cited
  • 1965Some Combinational Properties of Pitch Structures25 cited
  • 1989Some Implications of the Pitch-Class/Order-Number Isomorphism Inherent in the Twelve-Tone System Part Two: The Mallalieu Complex: Its Extensions and Related Rows16 cited
  • 1975

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On Pitch or Rhythm: Interpretations of Orderings of and in Pitch and Time
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