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The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle”
10 references·0 citing·39 second hop
The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)The Many Faces of K‐pop Music Videos: Rev…Trafficking in Transnational Brands: The New “Broadway-Style” Musical (2014)Trafficking in Transnational …The Oxford Handbook of Dance and the Popular Screen (2014)The Oxford Handbook of Dance …Girls’ Generation? Gender, (Dis)Empowerment, and K-pop (2013)Girls’ Generation? Gender, (D…“Broadway” as the Superior “Other”: Situating South Korean Theater in the Era of Globalization (2012)“Broadway” as the Superior “O…South Koreans in the Debt Crisis: The Creation of a Neoliberal Welfare Society (2009)South Koreans in the Debt Cri…South Koreans in the Debt Crisis (2009)South Koreans in the Debt Cri…MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …Through the screen door: what happened to the Broadway musical when it went to Hollywood (2005)Through the screen door: what…Ungrounded Empires : The Cultural Politics of Modern Chinese Transnationalism (1996)Ungrounded Empires : The Cult…Reworking Modernity: Capitalisms and Symbolic Discontent (1992)Reworking Modernity: Capitali…The American Musical and the Formation of National Identity (2004)The experience economy: work is theatre & every business a stage (1999)The New Spirit of Capitalism (2005)The New Spirit of Capitalism (2005)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Copyright and the Value of Performance, 1770–1911 (2018)Bootlegs over Broadway: musical theatre (re)productions, digital circulation, and the informal media economy (2021)Paratexts: Thresholds of Interpretation (1997)Publics and Counterpublics (2002)Hip Hop Battles and Facial Intertexts (2016)The Work of Art in the Age of Mechanical Reproduction (2018)‘Dance against the void’: Derek Jarman, dance, queer classical receptions (2023)Anthroposcreens (2023)Modernity at Large: Cultural Dimensions of Globalization. (1998)Development as Freedom (1999)A Brief History of Neoliberalism (2005)BeyondHallyu: Innovation, Social Critique, and Experimentation in South Korean Cinema and Television (2016)From Hybridity of Cultural Production to Hyperreality of Post-feminism in K-pop: A Theoretical Reconsideration for Critical Approaches to Cultural Assemblages in Neoliberal Culture Industry (2019)K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity (2023)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Sound and Vision: (2013)Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Unruly vision, synesthetic space: drone music videos (2020)Transnationalization in international migration: implications for the study of citizenship and culture (2000)The Changing face of home: the transnational lives of the second generation (2003)Student Mobilities, Migration and the Internationalization of Higher Education (2011)Two or Three Things that I Know about Culture (1999)After post-development (2000)Disaster politics: tipping points for change in the adaptation of sociopolitical regimes (2009)Gender mainstreaming and the institutionalization of the women's movement in South Korea (2011)The Domestication of South Korean Pre-College Study Abroad in the First Decade of the Millennium (2011)Memoir/manuals of South Korean pre‐college study abroad: defending mothers and humanizing children (2013)The Hollywood Career of Gershwin's Second Rhapsody (2007)“Can a Fellow Be a Villain All His Life?”:Oliver!, Fagin, and Performing Jewishness (2011)American Musical Theatre before the Twentieth Century (2017)The Transnational Journey of Intersectionality (2012)Publish (in international indexed journals) or perish: Neoliberal ideology in a Korean university (2013)
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References

  • 1996Ungrounded Empires : The Cultural Politics of Modern Chinese Transnationalism940 cited
  • 1992Reworking Modernity: Capitalisms and Symbolic Discontent314 cited
  • 2009South Koreans in the Debt Crisis: The Creation of a Neoliberal Welfare Society203 cited
  • 2009South Koreans in the Debt Crisis119 cited
  • 2014The Oxford Handbook of Dance and the Popular Screen108 cited
  • 2005Through the screen door: what happened to the Broadway musical when it went to Hollywood52 cited
  • 2014Trafficking in Transnational Brands: The New “Broadway-Style” Musical30 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 2013Girls’ Generation? Gender, (Dis)Empowerment, and K-pop11 cited
  • 2012“Broadway” as the Superior “Other”: Situating South Korean Theater in the Era of Globalization8 cited

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