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Inventing Scotland: Photography, Landscape, and National Identity
14 references·1 citing·24 second hop
Inventing Scotland: Photography, Landscape, and National Identity (2014)Inventing Scotland: Photography, Landscap…Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century (2021)Picturing Nations: Landscape …Landscape and Power (2015)Landscape and PowerImpressed by Light: British Photographs from Paper Negatives, 1840–1860 (2008)Impressed by Light: British P…Impressed by light: British photographs from paper negatives, 1840-1860 (2008)Impressed by light: British p…Visual culture and tourism (2003)Visual culture and tourismColonial Photography and Exhibitions: Representations of the Native and the Making of European Identities (2000)Colonial Photography and Exhi…Picturing Empire: Photography and the Visualization of the British Empire (1999)Picturing Empire: Photography…Picturing empire: photography and the visualization of the British Empire (1998)Picturing empire: photography…The Manufacture of Scottish History (1992)The Manufacture of Scottish H…The invention of Scotland: the Stuart myth and the Scottish identity, 1638 to the present (1992)The invention of Scotland: th…Improvement and Romance (1989)Improvement and RomanceImprovement and romance : constructing the myth of the Highlands (1989)Improvement and romance : con…Fox Talbot and the Invention of Photography (1984)Fox Talbot and the Invention …The Pencil of Nature (1969)The Pencil of NatureRomantic Capabilities (2020)Romantic CapabilitiesThe New Mobilities Paradigm (2006)Progress in Tourism Management: From the geography of tourism to geographies of tourism – A review (2008)Selfie-taking as touristic looking (2016)Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home (2004)The Rhizomatic Relations of A/r/tography (2006)Opposing Wind Energy Landscapes: A Search for Common Cause (2011)National Identity and the Politics of Memory: Remembering Bruce and Wallace in Symbolic Space (1997)Empire and National Identities: The Case of Scotland (1998)National Identity, Popular Culture and Everyday Life (2020)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Imaging Humanitarianism: NGO Identity and the Iconography of Childhood (2008)Imperial Archipelago (2010)Reality TV in the digital era: a paradox in visual culture? (1999)History and Cultural Memory in Neo-Victorian Fiction (2010)Still Shakespeare and the Photography of Performance (2019)Family photographs and domestic spacings: a case study (2003)Memory and place: geographies of a critical relationship (2004)Geopolitics and visuality: Sighting the Darfur conflict (2007)‘Metropolitan’ and ‘Parochial’/‘Core’ and ‘Periphery’: a Historiography of the Neolithic of Scotland (2001)Sentimental Literature and Anglo-Scottish Identity, 1745–1820 (2010)History and the micro‐foundations of dynamic capabilities (2019)Introduction: Migrant Worlds, Material Cultures (2008)The Cambridge History of English Romantic Literature (2009)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)
this work references cited by second hop

References

  • 1998Picturing empire: photography and the visualization of the British Empire406 cited
  • 2015Landscape and Power403 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 2003Visual culture and tourism228 cited
  • 2000Colonial Photography and Exhibitions: Representations of the Native and the Making of European Identities180 cited
  • 1989Improvement and romance : constructing the myth of the Highlands132 cited
  • 1992The Manufacture of Scottish History112 cited
  • 1969The Pencil of Nature110 cited
  • 1989Improvement and Romance109 cited
  • 1992The invention of Scotland: the Stuart myth and the Scottish identity, 1638 to the present89 cited
  • 2008Impressed by Light: British Photographs from Paper Negatives, 1840–186033 cited
  • 1984Fox Talbot and the Invention of Photography27 cited
  • 2021Picturing Nations: Landscape Photography and National Identity in Britain and Germany in the Mid-Nineteenth Century18 cited
  • 2008Impressed by light: British photographs from paper negatives, 1840-186014 cited

Cited by

  • 2020Romantic Capabilities15 cited

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