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Secular Fashion, Religious Dress, and Modest Ambiguity: The Visual Ethics of Indonesian Fashion‐Veiling
16 references·6 citing·33 second hop
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References

  • 2006Politics of Piety: The Islamic Revival and the Feminist Subject4,074 cited
  • 1996The Rules of Art2,397 cited
  • 1978Interpretation Theory: Discourse and the Surplus of Meaning1,740 cited
  • 1977PHILOSOPHICAL HERMENEUTICS1,048 cited
  • 2005The Sacred Gaze449 cited
  • 2019A Vindication of the Rights of Woman : With Strictures on Political and Moral Subjects402 cited
  • 2009Mitzvah Girls234 cited
  • 2010Visibly Muslim214 cited
  • 2003Re-orienting fashion : the globalization of Asian dress162 cited
  • 2009New transnational geographies of Islamism, capitalism and subjectivity: the veiling‐fashion industry in Turkey145 cited
  • 2001Approaches to Understanding Visual Culture122 cited
  • 2007Fashion and Faith in Urban Indonesia109 cited
  • 2010Between Fashion and Tesettür103 cited
  • 2010Dianomy: Understanding Religious Women's Moral Agency as Creative Conformity69 cited
  • 2010Images of Desire34 cited
  • 2008Indonesian Muslim Fashion Styles & Designs26 cited

Cited by

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  • 2018Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman118 cited
  • 2019Commerce, piety and politics: Indonesian young Muslim women’s groups as religious influencers79 cited
  • 2018Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman24 cited
  • 2017Bridging local trend to global: Analysis of Indonesian contemporary modest fashion10 cited
  • 2023Unpacking nontarget majority consumers’ responses to modest fashion: how market controversy perpetuates marketplace exclusion7 cited
  • 2017Aesthetics, ethics and fashionable veiling: a debate in contemporary Turkey3 cited