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Review of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (W.W. Norton, 2005)
1 references·4 citing·14 second hop
Review of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (W.W. Norton, 2005) (2009)Review of Jane Piper Clendinning and Eliz…The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening (2003)The Complete Musician: An Int…El conocimiento armónico como estrategia para mejorar la comprensión, la motivación y la creatividad en el aprendizaje del lenguaje musical (2017)El conocimiento armónico como…Review of Evan Jones, Matthew Shaftel, and Juan Chattah, Aural Skills in Context: A Comprehensive Approach to Sight Singing, Ear Training, Harmony, and Improvisation (Oxford, 2014) (2015)Review of Evan Jones, Matthew…A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach (2015)A Model for Scale-Degree Rein…Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence (2012)Closure in Classical Themes: …Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)Hollywood Cadences (2013)Sonata Form and the Problem of Second‐Theme Beginnings (2013)Tonality (2023)The Classical Cadence: Conceptions and Misconceptions (2004)A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony and counterpoint in the extended common practice (2012)Etnografía y diseño cualitativo en investigación educativa (1988)La investigación-acción en educación (1990)Teachers as Researchers: Qualitative Inquiry as a Path to Empowerment (1991)Beyond the Beethoven Model: Sentence Types and Limits (2004)Enharmonic Position Finding and the Resolution of Seventh Chords in Chromatic Music (2007)
this work references cited by second hop

References

  • 2003The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening103 cited

Cited by

  • 2012Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence44 cited
  • 2017El conocimiento armónico como estrategia para mejorar la comprensión, la motivación y la creatividad en el aprendizaje del lenguaje musical4 cited
  • 2015A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach4 cited
  • 2015Review of Evan Jones, Matthew Shaftel, and Juan Chattah, Aural Skills in Context: A Comprehensive Approach to Sight Singing, Ear Training, Harmony, and Improvisation (Oxford, 2014)3 cited

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