SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The sensuous cinema of Wong Kar-wai: film poetics and the aesthetic of disturbance
2 references·2 citing·12 second hop
The sensuous cinema of Wong Kar-wai: film poetics and the aesthetic of disturbance (2015)The sensuous cinema of Wong Kar-wai: film…Post-classical cinema: an international poetics of film narration (2010)Post-classical cinema: an int…Wong Kar-Wai (2005)Wong Kar-WaiPilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love (2019)Pilgrimage to a Memory Hole: …‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema (2019)‘The past is a foreign countr…Imaginary homelands: essays and criticism, 1981-1991 (1991)Family Frames: Photography, Narrative and Postmemory (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Looks and frictions: essays in cultural studies and film theory (1995)Cinephilia or the Uses of Disenchantment (2005)Constructing the fannish place: Ritual and sacred space in a Sherlock fan pilgrimage (2017)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival1 (2007)Unhappy Desires and Queer Postsocialist Futures Unhappy Desires and Queer Postsocialist Futures: Hong Kong and Buenos Aires in Wong Kar-wai’s Happy Together (2017)Postclassical Nonfiction: Narration in the Contemporary Documentary (2012)The Sound of Intensified Continuity (2013)Sound Design is the New Score (2019)
this work references cited by second hop

References

  • 2005Wong Kar-Wai91 cited
  • 2010Post-classical cinema: an international poetics of film narration65 cited

Cited by

  • 2019‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema11 cited
  • 2019Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work