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Distributed Liveness
10 references·6 citing·45 second hop
Distributed Liveness (2016)Distributed LivenessUnderstanding audience participation in an interactive theater performance (2014)Understanding audience partic…Streaming on twitch (2014)Streaming on twitchSensing a live audience (2014)Sensing a live audienceWo.Defy (2013)Wo.DefyPerforming mixed reality (2012)Performing mixed realityLove, hate, arousal and engagement (2011)Love, hate, arousal and engag…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Liveness (2008)LivenessPerformance and Technology (2006)Performance and TechnologyBasics of qualitative research : techniques and procedures for developing grounded theory (1998)Basics of qualitative researc…"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)"Contradiction pushes me to i…No More Handshaking: How have COVID-19 pushed the expansion of computer-mediated communication in Japanese idol culture? (2021)No More Handshaking: How have…Expanding the Design Space for Technology-Mediated Theatre Experiences (2021)Expanding the Design Space fo…Design in Action: Unpacking the Artists’ Role in Performance-Led Research (2021)Design in Action: Unpacking t…Toward Live Streamed Improvisational Game Experiences (2020)Toward Live Streamed Improvis…Online distant witnessing and live-streaming activism: Emerging differences in the activation of networked publics (2018)Online distant witnessing and…Using the balanced scorecard as a strategic management system (1996)Parables for the Virtual (2002)Integrative strategic performance measurement systems, strategic alignment of manufacturing, learning and strategic outcomes: an exploratory study (2004)Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance (2016)Interactive, Immersive, Original Shakespeare (2017)Virtual Reality and Choreographic Practice: The Potential for New Creative Methods (2019)Researching Lived Experience: Human Science for an Action Sensitive Pedagogy (1990)Narrative Inquiry: Experience and Story in Qualitative Research (1999)Using thematic analysis in psychology (2006)Document Analysis as a Qualitative Research Method (2009)Seeking Qualitative Rigor in Inductive Research (2012)Audience experience : measuring quality in the performing arts (2009)Bio-Sensed and Embodied Participation in Interactive Performance (2017)A Critique of Electrodermal Activity Practices at CHI (2021)Linking Audience Physiology to Choreography (2022)Understanding Media: The Extensions of Man (1964)The Constant Comparative Method of Qualitative Analysis (1965)Naturalistic inquiry (1985)Why do people watch others play video games? An empirical study on the motivations of Twitch users (2016)Live streaming commerce from the sellers’ perspective: implications for online relationship marketing (2020)Live streaming commerce and consumers’ purchase intention: An uncertainty reduction perspective (2021)From ritual to theatre : the human seriousness of play (1982)From Ritual to Theatre: The Human Seriousness of Play (1983)Doing grounded theory : issues and discussions (1998)Live Streaming as Co-Performance (2019)Boiling Mind: Amplifying the Audience-Performer Connection through Sonification and Visualization of Heart and Electrodermal Activities (2021)A circumplex model of affect. (1980)The role of the arts and humanities in human flourishing: A conceptual model (2017)Unobtrusive Assessment of Students' Emotional Engagement during Lectures Using Electrodermal Activity Sensors (2018)Using Unobtrusive Wearable Sensors to Measure the Physiological Synchrony Between Presenters and Audience Members (2019)Theatre of the oppressed (2020)Designing Qualitative Research (1990)The Filter Bubble: What the Internet Is Hiding from You (2011)What Makes Online Content Viral? (2011)Hashtag activism: tactical maneuvering in an online anti-mandatory hijab movement (2022)The social movement was live streamed: a relational analysis of mobile live streaming during the 2019 Hong Kong protests (2022)Recasting Twitch: Livestreaming, Platforms, and New Frontiers in Digital Journalism (2024)Performance-Led Research in the Wild (2013)Collaboration, Awareness, and Communication in Real-Life Escape Rooms (2017)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)
this work references cited by second hop

References

  • 1998Basics of qualitative research : techniques and procedures for developing grounded theory38,622 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2014Streaming on twitch672 cited
  • 2008Liveness630 cited
  • 2012Performing mixed reality252 cited
  • 2011Love, hate, arousal and engagement125 cited
  • 2014Understanding audience participation in an interactive theater performance81 cited
  • 2014Sensing a live audience56 cited
  • 2006Performance and Technology49 cited
  • 2013Wo.Defy34 cited

Cited by

  • 2018Online distant witnessing and live-streaming activism: Emerging differences in the activation of networked publics42 cited
  • 2023"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms19 cited
  • 2021Expanding the Design Space for Technology-Mediated Theatre Experiences17 cited
  • 2021No More Handshaking: How have COVID-19 pushed the expansion of computer-mediated communication in Japanese idol culture?12 cited
  • 2021Design in Action: Unpacking the Artists’ Role in Performance-Led Research11 cited

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  • 2020Toward Live Streamed Improvisational Game Experiences10 cited