Analyses of paint media

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Cultural Heritage Materials Analysis Historical Art and Architecture Studies Conservation Techniques and Studies

Abstract

We present here some further analyses of the paint media of National Gallery paintings. Like our earlier results (1-3) they are based on gas-chromatographic examination of the fatty acid content of the samples. In most cases the results are unambiguous and unsurprising and tend to confirm trends noted before, notably the use of walnut oil in the earlier Italian oil painting and its replacement by linseed oil as the sixteenth century progressed.

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1960The Dutch school

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