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Analyses of paint media
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Analyses of paint media (1979)Analyses of paint mediaThe Dutch school (1960)The Dutch schoolSalvator Mundi: an investigation of the painting’s materials and techniques (2020)Salvator Mundi: an investigat…Polychrome sculptures of medieval Italian monuments: Study of the binding media and pigments (2020)Polychrome sculptures of medi…Advanced NMR methodologies and micro-analytical techniques to investigate the stratigraphy and materials of 14th century Sienese wooden paintings (2015)Advanced NMR methodologies an…Comparison of oil and egg tempera paint systems using time-of-flight secondary ion mass spectrometry (2014)Comparison of oil and egg tem…Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)Characterization and Identifi…Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons (2010)Organic patinas on Renaissanc…Identification of Indigo and its Degradation Products on a Silk Textile Fragment Using Gas Chromatography-Mass Spectrometry (2007)Identification of Indigo and …Measurements of Solvent Cleaning Effects on Oil Paintings (2006)Measurements of Solvent Clean…Approche d'étude des encres anciennes (1996)Approche d'étude des encres a…National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1988)Pigment Compendium (2008)Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry (2018)Chemical Composition and Micro Morphology of Golden Laminae in the Wall Painting “La Maestà” by Simone Martini: A Study by Optical Microscopy, XRD, FESEM-EDS and ToF-SIMS (2019)The Gas Chromatographic Examination of Paint Media. 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Fatty Acid Composition and Identification of Dried Oil Films (1966)Technical Studies in the Field of the Fine Arts (1977)The Organic Chemistry of Museum Objects (1987)Characterization of organic materials in the decoration of ornamental structures in the Alhambra monumental ensemble using gas-chromatography/mass spectrometry (GC/MS) (2018)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Conservation of Leather and Related Materials (2006)ToF‐SIMS study of gilding technique in the fresco Vela della Castità by Giotto's school (2016)Leonardo's Donna Nuda unveiled (2019)An analytical evaluation of Er:YAG laser cleaning tests on a nineteenth century varnished painting (2020)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Organic Mass Spectrometry in Art and Archaeology (2009)The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment (2016)On the Use and Differentiation of Resins from Pinaceae Species in European Artworks Based on Written Sources, Reconstructions and Analysis (2019)The Samuel F. 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Morse statue in Central Park: scientific study and laser cleaning of a 19th-century American outdoor bronze monument (2020)Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy (2004)A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)Organic mass spectrometry in art and archaeology (2010)Metals and Environment: Chemical Outputs From the Interaction Between Gilded Copper-Based Objects and Burial Soil (2020)New Insights to Characterize Paint Varnishes and to Study Water in Paintings by Nuclear Magnetic Resonance Spectroscopy (NMR) (2020)Review of the use of NMR spectroscopy to investigate structure, reactivity, and dynamics of lead soap formation in paintings (2020)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)High‐performance liquid chromatography of blue and purple indigoid natural dyes (1991)The natural constituents of historical textile dyes (2004)A fast and reliable detection of indigo in historic and prehistoric textile samples (2015)A multi-analytical techniques based approach to study the colorful clothes and accessories from mummies of Eastern Central Asia (2016)Textile dyeing in Medieval Sudan evidenced by HPLC-MS analyses: Material traces of a disappeared activity (2021)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Electromagnetic Techniques Applied to Cultural Heritage Diagnosis: State of the Art and Future Prospective: A Comprehensive Review (2025)Il Libro dell'Arte (1934)4 LEAD-TIN YELLOW (1968)Gas Chromatographic Analysis of Amino Acids as Ethyl Chloroformate Derivatives. Part 2, Effects of Pigments and Accelerated Aging on the Identification of Proteinaceous Binding Media (1996)Look but don't touch: Non-invasive chemical analysis of organic paint binders – A review (2024)Vermeer och van VeensAmorum Emblemata (1980)Bernini and the art of social satire (1983)Paintings by Rembrandt (1986)
this work references cited by second hop

References

  • 1960The Dutch school14 cited

Cited by

  • 2012Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry27 cited
  • 2015Advanced NMR methodologies and micro-analytical techniques to investigate the stratigraphy and materials of 14th century Sienese wooden paintings22 cited
  • 2007Identification of Indigo and its Degradation Products on a Silk Textile Fragment Using Gas Chromatography-Mass Spectrometry22 cited
  • 2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons20 cited
  • 1996Approche d'étude des encres anciennes17 cited
  • 2014Comparison of oil and egg tempera paint systems using time-of-flight secondary ion mass spectrometry15 cited
  • 2020Polychrome sculptures of medieval Italian monuments: Study of the binding media and pigments14 cited
  • 2020Salvator Mundi: an investigation of the painting’s materials and techniques13 cited
  • 2006Measurements of Solvent Cleaning Effects on Oil Paintings11 cited

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