SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Socially Engaged Art and Social Work: Reflecting on an Interdisciplinary Course Development Journey
16 references·2 citing·39 second hop
Socially Engaged Art and Social Work: Reflecting on an Interdisciplinary Course Development Journey (2016)Socially Engaged Art and Social Work: Ref…Artificial hells: participatory art and the politics of spectatorship (2013)Artificial hells: participato…Lessons Learned from Three Projects Linking Social Work, the Arts, and Humanities (2012)Lessons Learned from Three Pr…Beyond Talk and Text: An Expressive Visual Arts Method for Social Work Education (2012)Beyond Talk and Text: An Expr…‘Arts and Extremely Dangerous’: Critical Commentary on the Arts in Social Work Education (2012)‘Arts and Extremely Dangerous…Relational aesthetics (2011)Relational aestheticsEducation for Socially Engaged Art: A Materials and Techniques Handbook (2011)Education for Socially Engage…Teaching for Change in Social Work (2009)Teaching for Change in Social…A Case Study of Bedouin Women's Art in Social Work. A Model of Social Arts Intervention with ‘Traditional’ Women Negotiating Western Cultures (2009)A Case Study of Bedouin Women…Modifying Photovoice for community-based participatory Indigenous research (2008)Modifying Photovoice for comm…Youth Participation in Photovoice as a Strategy for Community Change (2006)Youth Participation in Photov…The art of protest: culture and activism from the Civil Rights Movement to the streets of Seattle (2006)The art of protest: culture a…Photovoice as a Social Process of Critical Consciousness (2006)Photovoice as a Social Proces…Nicolas BOURRIAUD, Esthétique relationnelle (2001) et Postproduction (2003). Dijon, Les Presses du réel, 2001 et 2003 (2005)Nicolas BOURRIAUD, Esthétique…Conversation Pieces: Community and Communication in Modern Art (2004)Conversation Pieces: Communit…Negotiating the Contradictions between Competence and Creativity in Social Work Education (2003)Negotiating the Contradiction…In Our Own Image (2000)In Our Own ImageUsing arts-based materials to explore the complexities of clinical decision- making in a social work methods course (2017)Using arts-based materials to…Art in Social Work: Equivocation, Evidence, and Ethical Quandaries (2017)Art in Social Work: Equivocat…Photovoice: Concept, Methodology, and Use for Participatory Needs Assessment (1997)Photovoice: A Participatory Action Research Strategy Applied to Women's Health (1999)Photovoice Ethics: Perspectives from Flint Photovoice (2001)Photovoice as a Method for Revealing Community Perceptions of the Built and Social Environment (2011)“A Pencil for your Thoughts”: Participatory Drawing as a Visual Research Method with Children and Youth (2013)Qualitative Data Analysis: An Expanded Sourcebook (1994)Qualitative inquiry and research design: choosing among five traditions. (1998)The SAGE handbook of qualitative research (2005)Photovoice as Community-Based Participatory Research: A Qualitative Review (2009)Photovoice: A Methodological Guide (2014)Thinking Critically About Photovoice (2018)Understanding and Validity in Qualitative Research (1992)Handbook of action research (2006)Photovoice and empowerment: evaluating the transformative potential of a participatory action research project (2018)Education for Critical Consciousness (2021)The Free Economy and the Strong State (1994)Some considerations on the validity of evidence-based practice in social work (2001)Voices From the Front Line: State Social Workers and New Labour (2001)Everything Must Go? The Privatization of State Social Work (2006)Conceptualising Field Education in the Twenty-First Century: Contradictions, Challenges and Opportunities (2011)Prepared for Practice? Graduating Social Work Students' Reflections on Their Education, Competence and Skills (2014)Artistic and activist memory-work: Approaching place-based practice (2007)Geography and art. An expanding field (2012)Passionate amateurs: theatre, communism, and love (2014)The Production and Dissemination of Knowledge: A Scoping Review of Arts-Based Health Research (2011)Fieldwork in Contemporary French Literature (2016)Legitimationsmythen des deutschen Theaters: eine institutionsgeschichtliche Perspektive (2021)“No Fracking Way!” Documentary Film, Discursive Opportunity, and Local Opposition against Hydraulic Fracturing in the United States, 2010 to 2013 (2015)Educating for cultural citizenship: Reframing the goals of arts education (2015)Sex Work in a Digital Era (2015)Media and Participation: A site of ideological-democratic struggle (2011)Creativity and tourism in the city (2013)Games (2020)The Primacy of Movement in Research-Creation: New Materialist Approaches to Art Research and Pedagogy (2015)The Rise of Creative Placemaking: Cross-Sector Collaboration as Cultural Policy in the United States (2017)At the Crossroads of Intersecting Ideologies: Community-Based Art Education, Community Engagement, and Social Practice Art (2019)Choreopolice and Choreopolitics: or, the task of the dancer (2013)Towards an aesthetics of care (2015)Science-related populism: Conceptualizing populist demands toward science (2020)
this work references cited by second hop

References

  • 2013Artificial hells: participatory art and the politics of spectatorship1,835 cited
  • 2011Relational aesthetics1,517 cited
  • 2006Youth Participation in Photovoice as a Strategy for Community Change685 cited
  • 2008Modifying Photovoice for community-based participatory Indigenous research669 cited
  • 2004Conversation Pieces: Community and Communication in Modern Art454 cited
  • 2006Photovoice as a Social Process of Critical Consciousness443 cited
  • 2006The art of protest: culture and activism from the Civil Rights Movement to the streets of Seattle340 cited
  • 2011Education for Socially Engaged Art: A Materials and Techniques Handbook255 cited
  • 2005Nicolas BOURRIAUD, Esthétique relationnelle (2001) et Postproduction (2003). Dijon, Les Presses du réel, 2001 et 200396 cited
  • 2003Negotiating the Contradictions between Competence and Creativity in Social Work Education73 cited
  • 2009Teaching for Change in Social Work55 cited
  • 2000In Our Own Image54 cited
  • 2012Beyond Talk and Text: An Expressive Visual Arts Method for Social Work Education46 cited
  • 2012Lessons Learned from Three Projects Linking Social Work, the Arts, and Humanities37 cited
  • 2009A Case Study of Bedouin Women's Art in Social Work. A Model of Social Arts Intervention with ‘Traditional’ Women Negotiating Western Cultures

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

33 cited
  • 2012‘Arts and Extremely Dangerous’: Critical Commentary on the Arts in Social Work Education32 cited
  • Cited by

    • 2017Using arts-based materials to explore the complexities of clinical decision- making in a social work methods course11 cited
    • 2017Art in Social Work: Equivocation, Evidence, and Ethical Quandaries10 cited