An intrusive portrait by Goya

Duncan Bull · Anna Krekeler · Matthias Alfeld · Joris Dik · Koen Henri Janssens

18 citations0/0 files storedBurlington magazine/The Burlington magazine

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Cultural Heritage Materials Analysis Historical Art and Architecture Studies Historical Art and Culture Studies

Abstract

The article discusses the X-radiography of the 1823 painting “Portrait of Ramon Satue,” by Francisco Goya, revealing an underlying composition. The authors describe Goya's practice of re-using canvases and discusses analysis of the “Portrait of Ramon Satue” using X-ray Fluorescence (XRF) spectrometry. The authors compare the underlying portrait to Goya's 1810 portrait of General Nicolas Guye and describe insignia in the portrait, which the authors suggest depicts an army officer.

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2018Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis 2012Rembrandt and/or Studio, Saul and David, c.1655: visualising the curtain using cross-section analyses and X-ray fluorescence imaging 2017Comparison between non-invasive methods used on paintings by Goya and his contemporaries: hyperspectral imaging vs. point-by-point spectroscopic analysis

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