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An intrusive portrait by Goya
0 references·3 citing·13 second hop
An intrusive portrait by Goya (2011)An intrusive portrait by GoyaSeparating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis (2018)Separating two painting campa…Comparison between non-invasive methods used on paintings by Goya and his contemporaries: hyperspectral imaging vs. point-by-point spectroscopic analysis (2017)Comparison between non-invasi…Rembrandt and/or Studio, Saul and David, c.1655: visualising the curtain using cross-section analyses and X-ray fluorescence imaging (2012)Rembrandt and/or Studio, Saul…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium (2008)Complementary investigations of two Lipovan-style icons (2018)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Energy-optimized synchrotron XRF mapping of an obscured painting beneath Exit from the Theater, attributed to Honoré Daumier (2019)An integrated analytical approach for the characterization of repainted wooden statues dated to the fifteenth century (2020)Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in theGhent Altarpieceby J. and H. Van Eyck (2020)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast (2015)A non-invasive multi-technique investigation of Banqueting House Whitehall Rubens ceiling paintings (2020)
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  • 2018Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis18 cited
  • 2012Rembrandt and/or Studio, Saul and David, c.1655: visualising the curtain using cross-section analyses and X-ray fluorescence imaging17 cited
  • 2017Comparison between non-invasive methods used on paintings by Goya and his contemporaries: hyperspectral imaging vs. point-by-point spectroscopic analysis15 cited

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