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Not Another Article on the Author! God and Auteurs in Moving Image Analysis
16 references·0 citing·36 second hop
Not Another Article on the Author! God and Auteurs in Moving Image Analysis (2015)Not Another Article on the Author! God an…The Interpretation of Cultures (2017)The Interpretation of CulturesUnruly media: YouTube, music video, and the new digital cinema (2014)Unruly media: YouTube, music …The Oxford Handbook of New Audiovisual Aesthetics (2013)The Oxford Handbook of New Au…Digital Labor: The Internet as Playground and Factory (2012)Digital Labor: The Internet a…A Companion to Literature, Film, and Adaptation (2012)A Companion to Literature, Fi…Music Video and the Politics of Representation (2011)Music Video and the Politics …Oral History Theory (2010)Oral History TheoryProduction Studies (2009)Production StudiesFaking it: the quest for authenticity in popular music (2007)Faking it: the quest for auth…Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations (2006)Gaffers, Gofers, and Grips: R…Experiencing Music Video: Aesthetics and Cultural Context (2004)Experiencing Music Video: Aes…Creativity, Communication and Cultural Value (2004)Creativity, Communication and…Free Labor (2000)Free LaborTrust: making and breaking cooperative relations (1989)Trust: making and breaking co…The Structure of Scientific Revolutions (1963)The Structure of Scientific R…Circles and Squares (1963)Circles and SquaresThe Postmodern Condition: A Report on Knowledge (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Black Atlantic: Modernity and Double Consciousness. (1997)In the Social Factory? (2008)The politics of ‘platforms’ (2010)Parental Mediation Theory for the Digital Age (2011)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)Dynamic Delegation: Shared, Hierarchical, and Deindividualized Leadership in Extreme Action Teams (2006)High‐quality relationships, psychological safety, and learning from failures in work organizations (2008)A Relational Model of How High-Performance Work Systems Work (2009)The Limits of Oral History: Ethics and Methodology Amid Highly Politicized Research Settings (2011)“Insights and Oversights”: Reflections on the Documentary Tradition and the Theoretical Turn in Oral History (2014)Using primary sources to produce a microhistory of translation and translators: theoretical and methodological concerns (2014)Inside the Data Spectacle (2014)Capitalism and the media: moral economy, well-being and capabilities (2016)Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship (2019)Digital prosumption labour on social media in the context of the capitalist regime of time (2013)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Uber's Drivers: Information Asymmetries and Control in Dynamic Work (2015)Applying Music in Exercise and Sport (2007)Corporate Classicism and the Metaphysical Style (2015)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Does Social Capital Have an Economic Payoff? A Cross-Country Investigation (1997)Initial Trust Formation in New Organizational Relationships (1998)A survey of trust and reputation systems for online service provision (2005)Culture in Action: Symbols and Strategies (1986)Managing Legitimacy: Strategic and Institutional Approaches (1995)Framing Processes and Social Movements: An Overview and Assessment (2000)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Competing paradigms in qualitative research. (1994)Sample Size in Qualitative Interview Studies (2015)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)The Concept of Authenticity: What It Means to Consumers (2021)
this work references cited by second hop

References

  • 1963The Structure of Scientific Revolutions35,276 cited
  • 2017The Interpretation of Cultures16,449 cited
  • 1989Trust: making and breaking cooperative relations4,014 cited
  • 2000Free Labor1,749 cited
  • 2006Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations917 cited
  • 2010Oral History Theory604 cited
  • 2009Production Studies419 cited
  • 2012Digital Labor: The Internet as Playground and Factory366 cited
  • 2013The Oxford Handbook of New Audiovisual Aesthetics226 cited
  • 2007Faking it: the quest for authenticity in popular music182 cited
  • 2004Creativity, Communication and Cultural Value182 cited
  • 2014Unruly media: YouTube, music video, and the new digital cinema177 cited
  • 2004Experiencing Music Video: Aesthetics and Cultural Context167 cited
  • 2011Music Video and the Politics of Representation106 cited
  • 1963Circles and Squares82 cited
  • 2012A Companion to Literature, Film, and Adaptation50 cited

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