La recepción de la tradición hispánica de la Inmaculada Concepción en Nueva España: el tipo iconográfico de la "Tota Pulchra" = The Reception of the Hispanic Tradition of the Immaculate Conception in New Spain: the Iconographic Type of "Tota Pulchra"

Abstract

The aim of this article is approach the visual tradition of Tota pulchra in the Viceroyalty of New Spain. During the 16th century this iconographic type took meaning for an own image for the Immaculate, being a sample of the Hispanic visual tradition, but his continuity and his variant shows own characteristics for the art of New Spain features. The origin of this iconographic type took place after various iconographic discussions. The arrival of this subject to the American viceroy was happened during the evangelization. This includes, at the same time, an unusual type continuity in the 17th and 18th century, when it had been shelved in the Iberian art. The article analyses the formation, continuity and variants of this iconographic type in the Viceroyalty of New Spain also observing its impact on literature and sacred oratory.

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