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Composition with Twelve Notes Related Only to One Another
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Composition with Twelve Notes Related Only to One Another (1955)Composition with Twelve Notes Related Onl…Liquidation and Its Origins (2019)Liquidation and Its OriginsThe Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception (2018)The Americanization of Arnold…Schoenberg’s Sentence (2018)Schoenberg’s SentencePor um desemaranhamento do contraponto (2018)Por um desemaranhamento do co…Formation of a New Harmonic Language in Elliott Carter’s String Quartet No. 2 (2017)Formation of a New Harmonic L…The “expanded cadential progression”: A category for the analysis of classical form† (1987)The “expanded cadential progr…Schoenberg's ‘Atonality’: Fused Bitonality? (1974)Schoenberg's ‘Atonality’: Fus…Composition with twelve notes related only to one another (1969)The Beethoven quartets (1967)Fundamentals of Musical Composition (1968)Texture as a Sign in Classic and Early Romantic Music (1982)Cadential processes: The evaded cadence and the “one more time” technique (1992)End-Accented Phrases: An Analytical Exploration (2003)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Schoenberg and His School; The Contemporary Stage of the Language of Music (1950)Introduction to Post-Tonal Theory (1991)Elliott Carter: A Centennial Portrait in Letters and Documents (2008)Devotions Upon Emergent Occasions (1624)Devotions upon Emergent Occasions (1924)The Style of Palestrina and the Dissonance (1946)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Cadence as Gesture in the Writings and Music of Arnold Schoenberg (2022)Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” (2023)Contemplating Music: Challenges to Musicology (1989)Perspectives of New Music (1963)
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  • 1987The “expanded cadential progression”: A category for the analysis of classical form†75 cited
  • 2018Schoenberg’s Sentence8 cited
  • 2019Liquidation and Its Origins6 cited
  • 1974Schoenberg's ‘Atonality’: Fused Bitonality?4 cited
  • 2017Formation of a New Harmonic Language in Elliott Carter’s String Quartet No. 24 cited
  • 2018Por um desemaranhamento do contraponto2 cited
  • 2018The Americanization of Arnold Schoenberg?. Theory, Analysis, and Reception2 cited

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