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Moroccan Female Performers Defining the Social Body
16 references·14 citing·34 second hop
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this work references cited by second hop

References

  • 1982In A Different Voice: Psychological Theory And Women's Development10,875 cited
  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 2017Domination and the Arts of Resistance4,326 cited
  • 1990Disjuncture and Difference in the Global Cultural Economy4,235 cited
  • 1973Techniques of the body ∗1,989 cited
  • 1978Interpretation Theory: Discourse and the Surplus of Meaning.1,844 cited
  • 1990The Disorder of Women: Democracy, Feminism, and Political Theory1,224 cited
  • 1966Honour and Shame: The Values of Mediterranean Society.1,103 cited
  • 1978The Ritual Process. Structure and Anti-Structure923 cited
  • 1983The Spoken Word and the Work of Interpretation836 cited
  • 1988Veiled Sentiments: Honor and Poetry in a Bedouin Society788 cited
  • 1985The Poetics of Manhood718 cited
  • 1993Paths toward a Clearing: Radical Empiricism and Ethnographic Inquiry642 cited
  • 1988“Speaking with Names”: Language and Landscape among the Western Apache290 cited
  • 1986Persuasions and Performances: The Play of Tropes in Culture244 cited
  • 1985Bargaining for Reality: The Construction of Social Relations in a Muslim Community.

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165 cited

Cited by

  • 2008Migration und religiöse Dynamik49 cited
  • 2002Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance46 cited
  • 2011Exotic Identities: Dance, Difference, and Self-fashioning41 cited
  • 2002Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance37 cited
  • 2007Respectable Ladies and Uncouth Men: The Performative Politics of Class and Gender in the Public Realm of an Italian City21 cited
  • 2000American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture19 cited
  • 2013Acting up: performance and the politics of womanhood in contemporary Morocco17 cited
  • 2021Heritage, community participation and the state: case of the Kalbeliya dance of India17 cited
  • 1998Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts8 cited
  • 2010Playing Out: Women Instrumentalists and Women's Ensembles in Contemporary Tunisia.6 cited
  • 2024MEMES, MONSTERS, AND THE DIGITAL GROTESQUE6 cited
  • 2012Trends and Opportunities in North African Music Scholarship4 cited
  • 2016Les musiciens gnawa à Bruxelles : une reconfiguration culturelle4 cited
  • 2017Musical Jews: Listening for Hierarchy in Colonial Algeria and Beyond4 cited