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Expanding fashion exhibition history and theory: Fashion at New Zealand’s national museum since 1950
11 references·1 citing·36 second hop
Expanding fashion exhibition history and theory: Fashion at New Zealand’s national museum since 1950 (2014)Expanding fashion exhibition history and …Fashion and museums: theory and practice (2015)Fashion and museums: theory a…New Zealand Fashion Design (2010)New Zealand Fashion DesignUntouchable: Creating Desire and Knowledge in Museum Costume and Textile Exhibitions (2008)Untouchable: Creating Desire …The Fashion Retrospective (2008)The Fashion RetrospectiveSeen But Not Heard? Collecting the History of New Zealand Childhood (2008)Seen But Not Heard? Collectin…Museum Quality: The Rise of the Fashion Exhibition (2008)Museum Quality: The Rise of t…“We're Not in the Fashion Business”: Fashion in the Museum and the Academy (2008)“We're Not in the Fashion Bus…Exhibiting Maori: A History of Colonial Cultures of Display (2007)Exhibiting Maori: A History o…Understanding fashion history (2005)Understanding fashion historyClothing the Pacific (2003)Clothing the PacificThe Study of Dress History (2002)The Study of Dress HistoryPractices of cultural collectivity: Style activism, Miromoda and Māori fashion in Aotearoa New Zealand (2021)Practices of cultural collect…A Museum of Fashion Is More Than a Clothes-Bag (1998)The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry (2016)Art as strategic branding tool for luxury fashion brands (2018)Heritage narratives in the digital era (2018)The cultural biography of things: commoditization as process (1986)Free Time in an Art Museum: Pausing, Gazing and Interacting (2010)Beautiful Clothes Violet Angotti, Twentieth-Century Dress Designer (2011)Fashion in the French Revolution (1989)The Age of Caricature: Satirical Prints in the Reign of George III. (1997)Encounters in the Global Fashion Business (2006)Cross-Purposes: Museum Display and Material Culture (2012)Looking for Maternity: Dress Collections and Embodied Knowledge (2019)Museum institutions and fashion: determinants of museums’ involvement in fashion-related activities (2024)Fashioning London (2004)Fashioning London: Clothing and the Modern Metropolis (2004)Fashionable Females: Women, Clothes, and Culture in New York (2013)Tradition and Innovation: Recent Balenciaga Exhibitions (2013)The re-collection of the Ryerson fashion research collection (2021)Animating the Body in Museum Exhibitions of Fashion and Dress (2015)A Study on Fashion Museum Exhibition Types and Roles : Focused on Simone Handbag Museum Seoul (2016)Clothing displayed in museums: from conservation to innovative design representations (2022)Research Approaches to the Study of Dress and Fashion (2008)“She was buried in her purple dress and her red hat and all of our members wore full ‘Red Hat Regalia’ to celebrate her life”: Dress, embodiment and older women's leisure: Reconfiguring the ageing process (2010)Fashion Studies In-between: A Methodological Case Study and an Inquiry into the State of Fashion Studies (2011)Community Archaeology as Knowledge Management: Reflections from Uneapa Island, Papua New Guinea (2012)Indigenous cultural heritage preservation (2015)Museum Encounters and Narrative Engagements (2015)Consumption and Cosmopolitanism: Practicing Modernity at the Second-Hand Marketplace in Nuku'alofa, Tonga (2004)First Contacts in Polynesia: The Samoan Case (1722–1848) Western Misunderstandings about Sexuality and Divinity (2008)From Full Dusk to Full Tusk: Reimagining the "Dusky Maiden" through the Visual Arts (2010)Management of Contemporary Fashion Industry: Characteristics and Challenges (2014)Dressed to Heal: The Changing Semiotics of Surgical Dress (2015)Towards a new methodology for working with historic theatre costume: A biographical approach focussing on Ellen Terry’s ‘Beetlewing Dress’ (2017)Enterprise orientations: a framework for making sense of fashion sector start‐up (2011)Navigating the interface between design education and fashion business start‐up (2012)Fashionable Dunedin and “Rooted Cosmopolitanism” in the Twenty-First Century: NOM*d and Company of Strangers (2016)
this work references cited by second hop

References

  • 2008Museum Quality: The Rise of the Fashion Exhibition117 cited
  • 2002The Study of Dress History107 cited
  • 2008Untouchable: Creating Desire and Knowledge in Museum Costume and Textile Exhibitions66 cited
  • 2007Exhibiting Maori: A History of Colonial Cultures of Display54 cited
  • 2005Understanding fashion history35 cited
  • 2003Clothing the Pacific29 cited
  • 2015Fashion and museums: theory and practice22 cited
  • 2008“We're Not in the Fashion Business”: Fashion in the Museum and the Academy17 cited
  • 2008The Fashion Retrospective15 cited
  • 2010New Zealand Fashion Design12 cited
  • 2008Seen But Not Heard? Collecting the History of New Zealand Childhood6 cited

Cited by

  • 2021Practices of cultural collectivity: Style activism, Miromoda and Māori fashion in Aotearoa New Zealand3 cited

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