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Totalitarian Art in the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China.
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Cited by

  • 1997Scientific Management's Lost Aesthetic: Architecture, Organization, and the Taylorized Beauty of the Mechanical157 cited
  • 2006Wissen und Raum — ein subtiles Beziehungsgeflecht123 cited
  • 2000Hungary After 1989: Inscribing a New Past on Place81 cited
  • 2003Exploring landscapes of fear: marginality, spectacle and surveillance73 cited
  • 2008The Topology of Contemporary Art39 cited
  • 2008Cultural Organizations and the State: Art and State Support in Contemporary Britain19 cited
  • 2008The Postcolonial Constellation15 cited
  • 2008Introduction to Info-Aesthetics12 cited
  • 2015Artistic interventions in contemporary China11 cited
  • 2014Exegetical history: Nazis at the round table7 cited
  • 2016Street theatre as propaganda: mass performances and spectacles in Petrograd in 19206 cited
  • 2007Socialist Realism: “To Depict Reality in its Revolutionary Development”6 cited
  • 2013Intertextuality as ‘Resonance’: Masculinity and Anticapitalism in Pet Shop Boys' Score for Battleship Potemkin4 cited
  • 2001Political myth: the political uses of history, tradition and memory4 cited

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