SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Schubert's Self-Elegies
15 references·0 citing·31 second hop
Schubert's Self-Elegies (2008)Schubert's Self-ElegiesSchubert the Progressive (2017)Schubert the ProgressivePrecursive Prolongation in the Préludes of Chopin (2007)Precursive Prolongation in th…Subjecting verses: Latin love elegy and the emergence of the real (2004)Subjecting verses: Latin love…Subjecting Verses (2004)Subjecting VersesA History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries (1983)A History of Key Characterist…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Promissory Note: A…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Promissory Note: A…The Classical German Elegy, 1795-1950 (1981)The Classical German Elegy, 1…Attachment and Loss: Vol.3: Loss : Sadness and Depression (1980)Attachment and Loss: Vol.3: L…The Descending Tetrachord: An Emblem of Lament (1979)The Descending Tetrachord: An…Studies in Greek Elegy and Iambus (1976)Studies in Greek Elegy and Ia…Studies in Greek Elegy and Iambus (1974)Studies in Greek Elegy and Ia…The Latin love elegy (1969)The Latin love elegyThe English Elegy: Studies in the Genre from Spenser to Yeats (1969)The English Elegy: Studies in…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Composer's Voice (1974)Music as Drama (1988)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary Measures (2011)Early Greek elegy, symposium and public festival (1986)The Uses of Laughter in Greek Culture (1991)Classical Genre in Theory and Practice (2003)The String Quartets of Joseph Haydn (2006)Harmony in Haydn and Mozart (2012)Vocal performance in the seventeenth century (2012)Eulogies and Usurpations: Hoccleve and Chaucer Revisited (1991)Wild blessings: the poetry of Lucille Clifton (2005)Women's Writing in the British Atlantic World: Memory, Place and History, 1550–1700 (2007)In Search of Dido (2001)Music as Discourse (2008)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Attachment and loss: Retrospect and prospect. (1982)Attachment styles among young adults: A test of a four-category model. (1991)PLACE ATTACHMENT: CONCEPTUAL AND EMPIRICAL QUESTIONS (2001)Catullus and Roman Love Elegy (2007)Militia amoris (2013)The Cambridge Companion to Latin Love Elegy (2013)Money and the Early Greek Mind (2004)Tradition and Innovation in Hellenistic Poetry (2005)Ovid's Lovers: Desire, Difference and the Poetic Imagination (2006)Reading Roman Friendship (2012)Imagining the Chorus in Augustan Poetry (2017)
this work references cited by second hop

References

  • 1980Attachment and Loss: Vol.3: Loss : Sadness and Depression2,640 cited
  • 1974Studies in Greek Elegy and Iambus655 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1982Schubert's Promissory Note: An Exercise in Musical Hermeneutics220 cited
  • 2004Subjecting verses: Latin love elegy and the emergence of the real218 cited
  • 1969The English Elegy: Studies in the Genre from Spenser to Yeats205 cited
  • 1983A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries190 cited
  • 2004Subjecting Verses148 cited
  • 1979The Descending Tetrachord: An Emblem of Lament134 cited
  • 1976Studies in Greek Elegy and Iambus97 cited
  • 1982Schubert's Promissory Note: An Exercise in Musical Hermeneutics97 cited
  • 1969The Latin love elegy76 cited
  • 1981The Classical German Elegy, 1795-195025 cited
  • 2017Schubert the Progressive6 cited
  • 2007Precursive Prolongation in the Préludes of Chopin5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work