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The Power of Dance and Its Social and Political Uses
2 references·8 citing·30 second hop
The Power of Dance and Its Social and Political Uses (2001)The Power of Dance and Its Social and Pol…To Dance is Human: A Theory of Nonverbal Communication (1979)To Dance is Human: A Theory o…Method and Theory in Analyzing Dance Structure with an Analysis of Tongan Dance (1972)Method and Theory in Analyzin…Waltzing Through Europe (2020)Waltzing Through EuropeThe Construction of National Identity through Cybernetic Process: The Example of “K’na” Dance Event in Greek and Turkish Thrace (2019)The Construction of National …Bodies That Cannot Listen (2019)Bodies That Cannot ListenAfrican Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance (2019)African Nightclubs of Lisbon …Post-colonial folk dancing: reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia (2016)Post-colonial folk dancing: r…Greek dance and everyday nationalism in contemporary Greece (2013)Greek dance and everyday nati…The Irish Céilí: A Site for Constructing, Experiencing, and Negotiating a Sense of Community and Identity (2011)The Irish Céilí: A Site for C…Music, Dance, and Behaviour in a New form of Expressive Culture: The RomanianManea (2011)Music, Dance, and Behaviour i…Psychology of intergroup relations (1986)The Social Identity Theory of Intergroup Behavior (2004)The Discursive Construction of National Identity (2009)Strange Homelands: Encountering the Migrant on the Contemporary Greek Stage (2018)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Invention of Tradition (1986)Toward a Definition of Folklore in Context (1971)The Routledge Dance Studies Reader (2010)The Location of Culture (2012)Black students' school success: Coping with the ?burden of ?acting white?? (1986)Social Space and Symbolic Power (1989)Ethnicity without groups (2002)The invention of primitive society: transformations of an illusion (1989)Tango and the political economy of passion (1995)Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes. (1969)Thick Description: Towards an Interpretive Theory of Culture (1973)Qualitative Methods in Social Research (2001)Story, Performance, and Event (1986)Life as Narrative (1987)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics (1989)Western Music and Its Others (2001)Dancing from Past to Present: Nation, Culture, Identities (2006)The Social Construction of Data: Methodological Problems of Investigating Learning in the Zone of Proximal Development (1995)THE POLITICS AND POETICS OF DANCE (1998)Neurocognitive control in dance perception and performance (2012)Ethno-Graphics and the Moving Body (1994)Choreographies of Gender (1998)Memory in our body: Thick participation and the translation of kinesthetic experience (2008)
this work references cited by second hop

References

  • 1979To Dance is Human: A Theory of Nonverbal Communication279 cited
  • 1972Method and Theory in Analyzing Dance Structure with an Analysis of Tongan Dance105 cited

Cited by

  • 2011The Irish Céilí: A Site for Constructing, Experiencing, and Negotiating a Sense of Community and Identity17 cited
  • 2020Waltzing Through Europe16 cited
  • 2016Post-colonial folk dancing: reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia14 cited
  • 2013Greek dance and everyday nationalism in contemporary Greece11 cited
  • 2019The Construction of National Identity through Cybernetic Process: The Example of “K’na” Dance Event in Greek and Turkish Thrace6 cited
  • 2019African Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance3 cited
  • 2011Music, Dance, and Behaviour in a New form of Expressive Culture: The RomanianManea3 cited
  • 2019Bodies That Cannot Listen3 cited

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