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Abstract A motif that runs throughout the reunion scene of Genesis 32–33 is the intersection of the human and the divine. The present article highlights this literary theme, exploring structural, linguistic, and narrative resonances that, both implicitly and explicitly, direct the reader’s attention to this motif and its significance in these chapters.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.