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Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music
0 references·16 citing·51 second hop
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  • 1993Go With Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China108 cited
  • 2002A narrative inquiry of cross-cultural lives: Lives in Canada71 cited
  • 2001The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation54 cited
  • 2008Play and Power in Chinese Nightlife Spaces45 cited
  • 2013Intimating Dissent: Popular Song, Poetry, and Politics in Pre-Revolutionary Iran38 cited
  • 1999Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong36 cited
  • 2013Stars to the State and Beyond: Globalization, Identity, and Asian Popular Music36 cited
  • 1997Making History Speak31 cited
  • 2013Elvis, allow me to introduce myself : American music and neocolonialism in Taiwan cinema25 cited
  • 2014Alternative Voice and Local Youth Identity in Chinese Local-Language Rap Music24 cited
  • 2005Sonic Sturdiness: The Globalization of “Chinese” Rock and Pop21 cited
  • 2014Performing Guangzhou and Guangzhou Ren: analysing popular music in Guangzhou20 cited
  • 2005Authenticating Geographies and Temporalities: Representations of Chinese Rock in China17 cited
  • 2001Yaogun Yinyue: rethinking mainland Chinese rock ‘n’ roll

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16 cited
  • 2014Writing in Water, or, Evanescence, Enchantment and Ethnography in a C hinese Urban Park16 cited
  • 1999Minyo in Korea: Songs of the People and Songs for the People15 cited