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Monitoring Colour Change in Textiles on Display
5 references·9 citing·32 second hop
Monitoring Colour Change in Textiles on Display (1992)Monitoring Colour Change in Textiles on D…CONCENTRATION OF NITROGEN DIOXIDE IN THE MUSEUM ENVIRONMENT AND ITS EFFECTS ON THE FADING OF DYED FABRICS (1988)CONCENTRATION OF NITROGEN DIO…The Fading Rates of Some Natural Dyes (1987)The Fading Rates of Some Natu…LIGHT-INDUCED COLOUR CHANGES OF NATURAL DYES (1977)LIGHT-INDUCED COLOUR CHANGES …The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…Fading by Light of Organic Dyes on Textiles and Other Materials (1966)Fading by Light of Organic Dy…A comprehensive overview of lighting guidelines for museums (2026)A comprehensive overview of l…Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness (2024)Physico‐chemical characterisa…Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)Development and application o…Non-destructive microfade testing at the National Museum of Australia (2011)Non-destructive microfade tes…A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastnes…GC-MS analysis of curcumin dye after selective degradation treatment (2007)GC-MS analysis of curcumin dy…Investigation into the nature of historical tapestries using time of flight secondary ion mass spectrometry (ToF-SIMS) (2006)Investigation into the nature…The Effect of Insect Fumigation by Anoxia on Textiles Dyed with Prussian Blue (2004)The Effect of Insect Fumigati…Mixtures of anionic and non‐ionic surfactants for wet‐cleaning historic textiles: A preliminary evaluation with standard soiled wool and cotton test fabrics (2001)Mixtures of anionic and non‐i…Control of deteriorating effects of light upon museum objects* (1964)The Control of Relative Humidity and Air Pollution in Show-Cases and Picture Frames (1966)The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide (1984)A classification system to enhance light‐fastness data interpretation based on microfading tests and rate of colour change (2017)Jazz Colors: Pigment Identification in the Gouaches Used by Henri Matisse (2021)Fading of alizarin and related artists' pigments by atmospheric ozone: reaction products and mechanisms (1987)Dyes on Archaeological Textiles: Analyzing Alizarin and Its Degradation Products (2004)High-performance liquid chromatography-diode array detector-mass selective detector analysis of major natural dyes with the application of H 2 O 2 /ultraviolet treatment as a way to simulate burial degradation of textiles (2014)Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art (2016)Noninvasive identification of turmeric and saffron dyes in proteinaceous textile fibres using Raman spectroscopy and multivariate analysis (2021)National Gallery Technical Bulletin (1979)Some Applications of Infrared Spectroscopy in the Examination of Painting Materials (1979)Anoxia Treatment – a Low Tech Method to Avoid Insect Infestation on Collection Material (2024)Chemical Principles of Textile Conservation (2000)The museum environment (1978)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness (2020)Photoegradation of indigo in dichloromethane solution (2003)Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing (2010)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)In-situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2008)Identification of degradation products of indigoids by tandem mass spectrometry (2015)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)LED illumination-induced fading of traditional Korean pigments (2018)A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)
this work references cited by second hop

References

  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 1987The Fading Rates of Some Natural Dyes80 cited
  • 1966Fading by Light of Organic Dyes on Textiles and Other Materials49 cited
  • 1977LIGHT-INDUCED COLOUR CHANGES OF NATURAL DYES39 cited
  • 1988CONCENTRATION OF NITROGEN DIOXIDE IN THE MUSEUM ENVIRONMENT AND ITS EFFECTS ON THE FADING OF DYED FABRICS5 cited

Cited by

  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 2004The Effect of Insect Fumigation by Anoxia on Textiles Dyed with Prussian Blue21 cited
  • 2011Non-destructive microfade testing at the National Museum of Australia21 cited
  • 2007GC-MS analysis of curcumin dye after selective degradation treatment19 cited
  • 2012Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials16 cited
  • 2006Investigation into the nature of historical tapestries using time of flight secondary ion mass spectrometry (ToF-SIMS)12 cited
  • 2024Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness9 cited
  • 2001Mixtures of anionic and non‐ionic surfactants for wet‐cleaning historic textiles: A preliminary evaluation with standard soiled wool and cotton test fabrics3 cited

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  • 2026A comprehensive overview of lighting guidelines for museums1 cited