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African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms
0 references·16 citing·55 second hop
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  • 1991Suffering and its professional transformation: toward an ethnography of interpersonal experience479 cited
  • 2003TRIOS: A Psychological Theory of the African Legacy in American Culture107 cited
  • 1989“It's cookin' now”: A performance analysis of the speech events of a Black teacher in an urban community college106 cited
  • 2016The Flexibility Hypothesis of Healing81 cited
  • 2013Transnational circulation and digital fatigue in Ghana's Azonto dance craze79 cited
  • 2020Group singing as a resource for the development of a healthy public: a study of adult group singing65 cited
  • 2014Sound archaeology: terminology, Palaeolithic cave art and the soundscape43 cited
  • 1999Hip hop to rap: Some implications of an historically situated approach to performance41 cited
  • 2004Being a Body in a Cultural Way: Understanding the Cultural in the Embodiment of Dance36 cited
  • 2007Ngaraya: Women and musical mastery in Mali32 cited
  • 2008Sonic diaspora, vibrations, and rhythm: thinking through the sounding of the Jamaican dancehall session31 cited
  • 2023On African Music26 cited
  • 2017Global Aesthetics-What Can We Do?26 cited
  • 1994Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop

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24 cited
  • 2004‘Art’ music in a cross-cultural context: the case of Africa23 cited
  • 1990What They Told Buchi Emecheta: Oral Subjectivity and the Joys of “Otherhood”23 cited