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The Camera and I
0 references·9 citing·31 second hop
The Camera and I (1971)The Camera and IWhen Britannia Ruled the Sound Waves (2018)When Britannia Ruled the Soun…The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics (2014)The Avant-Garde and the Popul…Post-revolution nonfiction film: building the Soviet and Cuban nations (2014)Post-revolution nonfiction fi…Introduction: The Documentary Film (2013)Introduction: The Documentary…Art, Documentary as Art (2013)Art, Documentary as ArtThe Space between Fiction and Documentary in Latin American Cinema: Notes toward a Genealogy (2009)The Space between Fiction and…The 400 Million (1938) and the solidarity film: ‘halfway between Hollywood and Newsreel’ (2009)The 400 Million (1938) and th…Eisler's Notes on Hollywood and the Film Music Project, 1935-42 (2008)Eisler's Notes on Hollywood a…Geographical education and film: an experimental course (1983)Geographical education and fi…The Country and the City (1973)Culture, Society and the Media. (1983)What's the use of lectures? (1985)Dick Tracy’s Cityscape (1993)Beyond Representation: Film as a Pedagogical Tool in Urban Geography (2013)Dianying: An Account of Films and the Film Audience in China (1977)The Third Eye (1996)Film Form: Essays in Film Theory (1949)The Structure of Scientific Revolutions (1963)Representing reality: issues and concepts in documentary (1992)Questions of Third Cinema (1990)Signatures of the Visible (1992)The ideal and reality of work in the 1970s films of Krzysztof Kieślowski (2015)Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America (2016)How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Postmodernism, or, The cultural logic of late capitalism (1991)Giving an Account of Oneself (2005)Giving an Account of Oneself (2025)French Cinema: The First Wave, 1915-1929 (1985)Exporting Entertainment: America in the World Film Market, 1907-34 (1987)"Film Europe" and "Film America" : cinema, commerce and cultural exchange, 1920-1939 (1999)On Popular Music (1941)Composing for the Films (1947)Film music: A neglected art : a critical study of music in films (1992)Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century. (1976)The Language of New Media (2002)Principles of Scientific Management, The (2015)Soviet Cinematic Internationalism and Socialist Film Making, 1955–1972 (2016)Introduction: radical documentary today (2019)The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China (2022)
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  • 2014Post-revolution nonfiction film: building the Soviet and Cuban nations24 cited
  • 1983Geographical education and film: an experimental course16 cited
  • 2009The 400 Million (1938) and the solidarity film: ‘halfway between Hollywood and Newsreel’14 cited
  • 2013Introduction: The Documentary Film14 cited
  • 2018When Britannia Ruled the Sound Waves11 cited
  • 2014The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics10 cited
  • 2009The Space between Fiction and Documentary in Latin American Cinema: Notes toward a Genealogy8 cited
  • 2013Art, Documentary as Art6 cited
  • 2008Eisler's Notes on Hollywood and the Film Music Project, 1935-425 cited

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