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The Social Conditions of Cultural Domination: Field, Sub-field and Local Spaces of Wind Music in France
13 references·5 citing·26 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1992Language and Symbolic Power.9,964 cited
  • 1993An Invitation to Reflexive Sociology.9,324 cited
  • 1993An Invitation of Reflexive Sociology8,374 cited
  • 1996The Rules of Art2,397 cited
  • 2009Culture, Class, Distinction1,370 cited
  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 1996The rules of art369 cited
  • 2011Critique and Renewal in the Sociology of Music: Bourdieu and Beyond139 cited
  • 1999Moving Truth: Affect and Authenticity in Country Musicals21 cited

Cited by

  • 2021Volunteer tourism fields: spaces of altruism and unsustainability36 cited
  • 2015The field of fashion production in Milan: A theoretical discussion and an empirical investigation23 cited
  • 2015Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock

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12 cited
  • 2014From serious leisure to serious work, or, when folk music struck a chord: careers, Habermasian rationality and agency9 cited
  • 2021Fighting the big bad wolf of global trends: technology transfer between HPC centres and SMEs9 cited