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Cited by

• 2008The Unkillable Dream of the Great American Novel: Moby-Dick as Test Case107 cited
• 2015The Cambridge History of Asian American Literature67 cited
• 2016Decolonizing Trauma Studies: Trauma and Postcolonialism55 cited
• 2001Revealing Silence: Rethinking Personal Writing43 cited
• 2022Literary Racial Impersonation43 cited
• 2004Cultural Translation and the Exorcist: A Reading of Kingston's and Tan's Ghost Stories24 cited
• 1994Authorizing Female Voice and Experience: Ghosts and Spirits in Kingston's The Woman Warrior and Allende's The House of the Spirits21 cited
• 2006Writing Chinese America into Words and Images: Storytelling and Retelling of The Song of Mu Lan20 cited
• 2015“More Than You Ever Knew You Knew”: The Rising Prestige of Fiction17 cited
• 1997Tripmaster Monkey , Frank Chin, and the Chinese Heroic Tradition16 cited
• 1992"The Invisible World the Emigrants Built": Cultural Self-Inscription and the Antiromantic Plots of The Woman Warrior14 cited
• 1999The Semiotics of China Narratives in the Con/texts of Kingston and Tan12 cited
• 2010Theorizing the Hyphen’s Afterlife in Post-Tiananmen Asian-America8 cited
• 1995Tripmaster Monkey: Kingston's Postmodern Representation of a New "China Man"