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Disruptive Divas: Feminism, Identity & Popular Music. Lori Burns and Mélisse Lafrance . New York and London: Routledge, 2002.
6 references·3 citing·30 second hop
Disruptive Divas: Feminism, Identity & Popular Music. Lori Burns and Mélisse Lafrance . New York and London: Routledge, 2002. (2004)Disruptive Divas: Feminism, Identity & Po…We Gotta Get Out of This Place (2014)We Gotta Get Out of This PlaceInterpreting Popular Music (2000)Interpreting Popular MusicThe Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Understanding Rock: Essays in Musical Analysis (1997)Understanding Rock: Essays in…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Studying Popular Music (1991)Studying Popular MusicThe Diva storyline: an alternative social construction of female entrepreneurship (2009)The Diva storyline: an altern…Scholarly monographs on rock music: a bibliographic essay (2008)Scholarly monographs on rock …Sisterdjsin the House: Electronic/Dance Music and Women-Centered Spaces on the Net (2004)Sisterdjsin the House: Electr…Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Performing rites: on the value of popular music (1997)The New Grove dictionary of music and musicians (2001)Gender Trouble: Feminism and the Subversion of Identity (1991)Handbook of Qualitative Research. (1995)Club cultures: music, media and subcultural capital (1996)The Rites Of Passage (1961)Thick Description: Towards an Interpretive Theory of Culture (1973)The Unruly Woman: Gender and the Genres of Laughter (1995)Entangled expertise: Women’s use of social media in entrepreneurial work (2017)Aesthetic labouring and the female entrepreneur: ‘Entrepreneurship that wouldn’t chip your nails’ (2019)Climbing to freedom on an impossible staircase: Exploring the emancipatory potential of becoming an entrepreneur-employer (2020)Bob Dylan and Jimi Hendrix: Juxtaposition and Transformation "All along the Watchtower" (2004)Music of the youth revolution: rock through the 1960s (2004)A many-headed beast: progressive rock as European meta-genre (2010)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)(Ac)cumulative Form in Pop-Rock Music (2004)Subverting the Verse–Chorus Paradigm (2013)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Political economy and cultural studies: Reconciliation or divorce? (1995)3. Constructing National Interests (1996)The risks of empathy: Interrogating multiculturalism's gaze (1997)The Cambridge History of American Music (1998)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Voice, place and genre in popular song performance1 (2011)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)
this work references cited by second hop

References

  • 1992Feminine Endings: Music, Gender, and Sexuality649 cited
  • 1991Studying Popular Music550 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 2000Interpreting Popular Music178 cited
  • 2014We Gotta Get Out of This Place152 cited
  • 1997Understanding Rock: Essays in Musical Analysis58 cited

Cited by

  • 2004Sisterdjsin the House: Electronic/Dance Music and Women-Centered Spaces on the Net38 cited
  • 2009The Diva storyline: an alternative social construction of female entrepreneurship26 cited
  • 2008Scholarly monographs on rock music: a bibliographic essay3 cited

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