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Pluralism of Theatrical Genre and Musical Style in Henze's We Come to the River
5 references·0 citing·11 second hop
Pluralism of Theatrical Genre and Musical Style in Henze's We Come to the River (1990)Pluralism of Theatrical Genre and Musical…The Plays of Edward Bond (2025)The Plays of Edward BondThe Death of Tragedy (1999)The Death of TragedyBond, a study of his plays (1980)Bond, a study of his playsThe Vision of Tragedy (1959)The Vision of TragedyThe Theatre of Bertolt Brecht (1959)The Theatre of Bertolt BrechtWhat Was Tragedy? The World We Have Lost, 1550–1795 (2012)Friendship and Virtue Ethics in the Book of Job (2019)Power in global governance (2004)The power of liberal international organizations (2004)Nietzsche on Tragedy (2016)Theatre Workshop, Moussinac, and the European Connection (1995)Customer participation in retail service: lessons from Brecht (2001)The total work of art in European modernism (2012)Modest Proposals of Modem Socialists (1982)Bond, Shakespeare, and the Absurd (1986)Two Concepts of Society in Drama: Bertolt Brecht's The Good Woman of Setzuan and Edward Bond's Lear (1988)
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References

  • 1999The Death of Tragedy285 cited
  • 1959The Theatre of Bertolt Brecht90 cited
  • 1959The Vision of Tragedy44 cited
  • 1980Bond, a study of his plays43 cited
  • 2025The Plays of Edward Bond23 cited

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