No open-access location is known for this record yet.
No open-access location is known for this record yet.
THE AUTHOR CONSIDERS THE MONA LISA AS A MAJOR SITE of artistic investigations of gender and identity. Specifically, she analyzes the symbiotic relationship between two landmark reinventions of the Mona Lisa: first, Marcel Duchamp’s notorious L.H.O.O.Q. (Mona-Lisa-with-a-mustache), and second, Lillian Schwartz’s pioneering use of computers to demonstrate that the main model for the Mona Lisa was Leonardo himself. Both L.H.O.O.Q. and Schwartz’s Mona/Leo project are a striking instance of the Bearded Lady archetype, which finds its match in Duchamp’s L.H.O.O.Q. rank (L.H.O.O.Q. Shaved), a variant of the Shaven Man.
Loading…
Stored only when both papers are in the corpus — 7 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.