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Cited by

• 2012Scriabin and the Possible31 cited
• 1991Bartók's Octatonic Strategies: A Motivic Approach21 cited
• 2000Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas19 cited
• 2022The line of fifths and the co-evolution of tonal pitch-classes9 cited
• 2013Triple Sharps, QntRelations, and Symmetries8 cited
• 2010‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin8 cited
• 2010Skryabin's Revolving Harmonies, Lacanian Desire, and RiemannianFunktionstheorie7 cited
• 2015Pitch Organisation in S criabin's T enth S onata5 cited
• 2012A Russian Mystic in the Age of Aquarius: The U.S. Revival of Alexander Scriabin in the 1960s3 cited
• 2008Alexander Scriabin (1871-1915): Piano Miniature as Chronicle of his Creative Evolution; Complexity of Interpretive Approach and its Implications.3 cited