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Diversity and Synergy in the Recording Industry in Portugal, 1988-2008
16 references·0 citing·32 second hop
Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 (2014)Diversity and Synergy in the Recording In…The Cultural Industries (2019)The Cultural IndustriesMusic Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Rethinking the music industry (2007)Rethinking the music industryUnderstanding Popular Music (2003)Understanding Popular MusicFrom Music Publishing to MP3: Music and Industry in the Twentieth Century (1999)From Music Publishing to MP3:…The British Dance Music Industry: A Case Study of Independent Cultural Production (1998)The British Dance Music Indus…An international history of the recording industry (1998)An international history of t…The Global Jukebox: The International Music Industry (1997)The Global Jukebox: The Inter…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Popular Music in Theory (1996)Popular Music in TheoryPerforming Rites (1996)Performing RitesProducing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…The record industry: the growth of a mass medium (1983)The record industry: the grow…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Rock 'N' Roll Is Here to Pay:…Entrepreneurship in Organizations: Evidence from the Popular Music Industry (1971)Entrepreneurship in Organizat…SoundScan and the consolidation of control in the popular music industry (1997)The Cambridge Companion to Pop and Rock (2001)The transformation of the music industry supply chain (2004)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The Causal Texture of Organizational Environments (1965)A Framework for the Comparative Analysis of Organizations (1967)Innovation in conservative and entrepreneurial firms: Two models of strategic momentum (1982)A Conceptual Framework for Describing the Phenomenon of New Venture Creation (1985)A Conceptual Model of Entrepreneurship as Firm Behavior (1991)The Theory of Economic Development (2003)The Cluster as Market Organisation (2004)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)“Heritage rock”: Rock music, representation and heritage discourse (2009)Theorising media as practice (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Music and the Global Order (2004)Soundscapes: Toward a Sounded Anthropology (2010)What Is Sociological about Music? (2010)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)In Search of Authenticity* (2005)
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References

  • 1997Performing rites: on the value of popular music1,318 cited
  • 2019The Cultural Industries1,177 cited
  • 1996Performing Rites1,123 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.686 cited
  • 2010Music Genres and Corporate Cultures585 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry419 cited
  • 1971Entrepreneurship in Organizations: Evidence from the Popular Music Industry361 cited
  • 2003Understanding Popular Music312 cited
  • 2007Rethinking the music industry263 cited
  • 1997The Global Jukebox: The International Music Industry247 cited
  • 1977Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry207 cited
  • 1998The British Dance Music Industry: A Case Study of Independent Cultural Production157 cited
  • 1998An international history of the recording industry146 cited
  • 1996Popular Music in Theory123 cited
  • 1983The record industry: the growth of a mass medium117 cited
  • 1999From Music Publishing to MP3: Music and Industry in the Twentieth Century

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