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Politics Behind the Mask: Studying Contemporary Carnivals in Political Perspective, Theoretical and Methodological Suggestions
15 references·2 citing·30 second hop
Politics Behind the Mask: Studying Contemporary Carnivals in Political Perspective, Theoretical and Methodological Suggestions (2001)Politics Behind the Mask: Studying Contem…The political calypso: true opposition in Trinidad and Tobago, 1962-1987 (2000)The political calypso: true o…Trinidad carnival: A quest for national identity (1997)Trinidad carnival: A quest fo…Carnival, Canboulay and calypso: traditions in the making (1997)Carnival, Canboulay and calyp…A Day for the Hunter, a Day for the Prey (1997)A Day for the Hunter, a Day f…Carnival, American Style: Mardi Gras at New Orleans and Mobile. (1993)Carnival, American Style: Mar…Caribbean Festival Arts: Each and Every Bit of Difference (1989)Caribbean Festival Arts: Each…Carnival at Luanda (1988)Carnival at LuandaL'œuvre de François Rabelais et la culture populaire au Moyen Age et sous la Renaissance (1982)L'œuvre de François Rabelais …The Dragon Can't Dance (1979)The Dragon Can't DanceSur l'utilisation de l'entretien non directif en sociologie (1975)Sur l'utilisation de l'entret…Le carnaval : essais de mythologie populaire (1974)Le carnaval : essais de mytho…The Trinidad Carnival. Mandate for a National Theatre (1973)The Trinidad Carnival. Mandat…Le combat de Carnaval et de Carême de P. Bruegel (1559) (1972)Le combat de Carnaval et de C…Race and revolutionary consciousness : a documentary interpretation of the 1970 Black power revolt in Trinidad (1971)Race and revolutionary consci…Order and Rebellion in Tribal Africa, by Max Gluckman (1965)Order and Rebellion in Tribal…Walking in the Periphery: Activist Art and Urban Resistance to Neoliberalism in Istanbul (2018)Walking in the Periphery: Act…Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa (2011)Parading respectability: an e…Hobbes and the Purely Artificial Person of the State (1999)History and ideology in the English revolution (2002)Hobbes and the Classical Theory of Laughter (2004)Decoding pitchy‐patchy: The roots, branches and essence of Junkanoo (1995)Anthropology, Festival, and Spectacle (2009)Caribbean and Atlantic diaspora dance: igniting citizenship (2012)Performing Gender in the Trinidad Calypso (2004)Can't Beat Me Own Drum in Me Own Native Land : Calypso Music and Tourism in the Panamanian Atlantic Coast (2006)Callaloo or Pelau? Food, Identity and Politics in Trinidad and Tobago (2019)The Problem of the Problem of Form:The Idea of an Aesthetic Continuum and Aesthetic Code-Switching in West Indian Literature (1985)Orisa (Orisha) Tradition in Trinidad (1999)The Sovereignty of the Imagination: An Interview with George Lamming (2002)“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London (1996)GLOBALIZATION AND TRINIDAD CARNIVAL: DIASPORA, HYBRIDITY AND IDENTITY IN GLOBAL CULTURE (1999)The rise of calypso feminism: gender and musical politics in the calypso (2001)Echantillonnage et recherche qualitative (2007)Politisierte Religion (2007)L'entretien biographique comme interaction négociations, contre-interprétations, ajustements de sens (2008)Karnu's Message and the ‘War of the Hoe Handle’: Interpreting a Central African resistance movement (1983)Taking Account of the Hostile Native: Plausible Deniability and the Production of Conventional History in the Iran-Contra Hearings (1989)Regieren in Europa jenseits öffentlicher Legitimation? Eine Untersuchung zur Rolle von politischer Öffentlichkeit in Europa (1998)A polyethnic London carnival as a contested cultural performance* (1982)the selling of San Juan: the performance of history in an Afro‐Venezuelan community (1993)Copyright Heritage: Preservation, Carnival and the State in Trinidad (2002)Racial identity and nationalism: a theoretical view from Latin America (2001)Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology (2003)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Nationalism in hybrid spaces: the production of impurity out of purity (2002)Audible Entanglements: Nation and Diasporas in Trinidad's Calypso Music Scene (2005)Theorizing world culture through the New World: East Indians and creolization (2006)
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References

  • 1975Sur l'utilisation de l'entretien non directif en sociologie297 cited
  • 1965Order and Rebellion in Tribal Africa, by Max Gluckman228 cited
  • 1997A Day for the Hunter, a Day for the Prey193 cited
  • 1997Carnival, Canboulay and calypso: traditions in the making132 cited
  • 1989Caribbean Festival Arts: Each and Every Bit of Difference115 cited
  • 1997Trinidad carnival: A quest for national identity96 cited
  • 1973The Trinidad Carnival. Mandate for a National Theatre94 cited
  • 2000The political calypso: true opposition in Trinidad and Tobago, 1962-198785 cited
  • 1982L'œuvre de François Rabelais et la culture populaire au Moyen Age et sous la Renaissance77 cited
  • 1979The Dragon Can't Dance68 cited
  • 1971Race and revolutionary consciousness : a documentary interpretation of the 1970 Black power revolt in Trinidad51 cited
  • 1988Carnival at Luanda43 cited
  • 1993Carnival, American Style: Mardi Gras at New Orleans and Mobile.42 cited
  • 1974Le carnaval : essais de mythologie populaire22 cited
  • 1972Le combat de Carnaval et de Carême de P. Bruegel (1559)19 cited

Cited by

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2018
Walking in the Periphery: Activist Art and Urban Resistance to Neoliberalism in Istanbul
7 cited
  • 2011Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa5 cited