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A Theory of Segmental Association in Twelve-Tone Music
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  • 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
  • 2001Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis31 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 1987'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music28 cited
  • 1969Meta-Variations: Studies in the Foundations of Musical Thought (I)28 cited
  • 2001Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music23 cited
  • 1971Musical Syntax (II)17 cited
  • 2002Twelve-tone theory16 cited
  • 1992Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 2516 cited
  • 2009Mathematics and the Twelve-Tone System: Past, Present, and Future11 cited
  • 1996Unveiling Schoenberg's op. 33b9 cited
  • 2012Having the Last Word: Schoenberg and the Ultimate Cadenza7 cited
  • 2004Transformational Streams: Unraveling Melodic Processes in Twentieth-Century Motivic Music5 cited
  • 1967Some Ordering Relationships in the Twelve-Tone System5 cited
  • 1966Some Uses of Mathematical Concepts in Theories of Music

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5 cited
  • 2015Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner4 cited