Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Lorenzo Lotto's painting materials: an integrated diagnostic approach

12 references·7 citing·44 second hop

FromToDepth

this work references cited by second hop

References

2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
1996Archaeological Chemistry325 cited
1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
2009GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media147 cited
2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
2007Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy78 cited
2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy68 cited
2013An integrated multi-analytical approach to the study of the dome wall paintings by Correggio in Parma cathedral41 cited
2012Multi-technique characterization of dyes in ancient Kaitag textiles from Caucasus39 cited
2011An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto33 cited
1998A new lead-based yellow in the seventeenth century26 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

2020Dual isotope system analysis of lead white in artworks20 cited
2019What Sherlock sorely missed: the EVA technology for cultural heritage exploration14 cited
2017Identification of Pigments in Colored Layers of a Painting by Raman Spectroscopy11 cited
2021Unveiling the original layers and color palette of 18th century overpainted Transylvanian icons by combined X‐ray radiography, hyperspectral imaging, and spectroscopic spot analysis11 cited
2016Multi-technical analysis as a tool to investigate structural species in the “replica” of First Mass in Brazil painting by Sebastião Vieira Fernandes10 cited
2018Complementary investigations of two Lipovan-style icons10 cited
2026Thinking of zebras in iconodiagnosis: the exemple of the Portrait of Bishop Bernardo de Rossi by Lorenzo Lotto (early 16th century)1 cited