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“Picture Maker of the Old West”: W. H. Jackson and the Birth of Photographic Archives in the United States
10 references·3 citing·26 second hop
“Picture Maker of the Old West”: W. H. Jackson and the Birth of Photographic Archives in the United States (1994)“Picture Maker of the Old West”: W. H. Ja…The Body and the Archive * (2017)The Body and the Archive *Beyond the hundredth meridian (2004)Beyond the hundredth meridianWilliam Henry Jackson and the Transformation of the American Landscape (1989)William Henry Jackson and the…The Body and the Archive (1986)The Body and the ArchiveLandscape as photograph (1985)Landscape as photographNorthern Pacific Views: the Railroad Photography of F. Jay Haynes, 1876-1905 (1984)Northern Pacific Views: the R…A Mnemonic Art? Calotype Aesthetics at Princeton (1983)A Mnemonic Art? Calotype Aest…The Judgment Seat of Photography (1982)The Judgment Seat of Photogra…Photography's Discursive Spaces: Landscape/View (1982)Photography's Discursive Spac…The world of stereographs (1977)The world of stereographsPhotographie et écologie aux États-Unis: l’image à contre-emploi (2017)Photographie et écologie aux …L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938) (2011)L’histoire photographique de …Revisiting the enigmas of Timothy O'Sullivan: Notes on the William Ashburner collection of king survey photographs at the Bancroft Library (2007)Revisiting the enigmas of Tim…Early Photography in Samoa (1991)From Kaleidoscomaniac to Cybernerd: Notes toward an Archaeology of the Media (1997)The stereoscopic attraction (2013)Lewis and Clark's observations and measurements of geomorphology and hydrology, and changes with time (2003)Watershed as Common-Place: Communicating for Conservation at the Watershed Scale (2013)Archaeology of a digitization (2014)Out of the frame: A longitudinal perspective on digitization and professional photojournalism (2014)Frame by Frame (2019)Ethnographic Showcases, 1870-1930 (1993)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Excavating AI: the politics of images in machine learning training sets (2021)The Authentic Amateur and the Democracy of Collecting Photographs (2009)Photography: the key concepts (2010)Rhetorics of Value: Constituting Worth and Meaning through Cultural Display (2011)Poaching Pictures (2009)Historical photographs as anthropological documents: A retrospect (1990)The Photographic Construction of Tourist Space in Victorian America (1998)Imagining heaven and earth at Mount of the Holy Cross, Colorado (2008)The origins of photography at the British Museum, 1839–1860 (1990)In the Morgue: Censorship, Taste and the Politics of Visual Circulation in Walker Evans's Cuba Portfolio (2007)Representing Discourse: The Rhetoric of Transcription (1991)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)Discriminating Data (2021)Image vs. reality in Korean‐Americans’ responses to mass‐mediated depictions of the United States (1991)Romancing the Road: Road Movies and Images of Mobility (1995)Landscapes of Tourism: A Cultural Geographic Perspective (2000)
this work references cited by second hop

References

  • 1986The Body and the Archive1,113 cited
  • 2017The Body and the Archive *331 cited
  • 1982Photography's Discursive Spaces: Landscape/View238 cited
  • 1982The Judgment Seat of Photography91 cited
  • 1977The world of stereographs49 cited
  • 2004Beyond the hundredth meridian45 cited
  • 1989William Henry Jackson and the Transformation of the American Landscape44 cited
  • 1985Landscape as photograph31 cited
  • 1984Northern Pacific Views: the Railroad Photography of F. Jay Haynes, 1876-19057 cited
  • 1983A Mnemonic Art? Calotype Aesthetics at Princeton6 cited

Cited by

  • 2011L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938)3 cited
  • 2007Revisiting the enigmas of Timothy O'Sullivan: Notes on the William Ashburner collection of king survey photographs at the Bancroft Library3 cited
  • 2017Photographie et écologie aux États-Unis: l’image à contre-emploi3 cited

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