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Will Pop Eat Itself? Pop Music in the Soundbite Era
0 references·10 citing·43 second hop
Will Pop Eat Itself? Pop Music in the Soundbite Era (1995)Will Pop Eat Itself? Pop Music in the Sou…Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies (2020)Music Consumption and Technol…Toward a queer music therapy: The implications of queer theory for radically inclusive music therapy (2016)Toward a queer music therapy:…Technologically Mediated Transparency in Music Production (2016)Technologically Mediated Tran…(Un)originality, hypertextuality and identity in Tiga's ‘Sunglasses at Night’ (2011)(Un)originality, hypertextual…Soziologie der Musikproduktion (2009)Soziologie der MusikproduktionMediated Music Makers: Constructing Author Images in Popular Music (2007)Mediated Music Makers: Constr…Pop Sounds (2003)Pop SoundsPop Sounds (2003)Pop SoundsJohn Oswald'sRubaiyat (Elektrax)and the politics of recombinant do‐re‐mi (1996)John Oswald'sRubaiyat (Elektr…The end of the world as we know it: Popular music's cultural mobility (1995)The end of the world as we kn…Discourse and Social Change. (1993)Life on the Screen: Identity in the Age of the Internet (1997)The Language of New Media (2002)Escultores del sonido: prácticas musicales creativas como elemento de transformación social (2020)The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film (2022)Dialektik der Aufklärung (1949)On Record: Rock, Pop and the Written Word (1990)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)LIMINALE KREATIVITÄT (2023)Noise: The Political Economy of Music (1986)Popular Music and Communication. (1988)The New Rolling Stone Encyclopedia of Rock & Roll (1995)Everyday Life in the Modern World. (1976)Noise... The Political Economy of Music (1988)Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies (1997)Contested Collective Administration of Intellectual Property Rights in Music (1999)Transcending audience generalizations: Consumerism reconsidered in the case of Elvis Presley fans (2000)Image-Music-Text (1977)Palimpsests: Literature in the Second Degree (1997)Intertextuality (2000)Crossdressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music (2012)DJ Mini and Montreal’s Vulgar Dance Music (2016)From the horse’s mouth: musical ‘originality’ in freestyle dressage (2020)Running with the devil: power, gender, and madness in heavy metal music (1993)Performing Rites (1996)Performing rites: on the value of popular music (1997)Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective (2020)Music Technology in Education – Channeling and Challenging Perspectives (2020)Music Technology in Education (2020)Gender trouble: feminism and the subversion of identity (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Explaining effective mental health support for LGBTQ+ youth: A meta-narrative review (2021)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Marxism and Literature. (1978)The cultural biography of things: commoditization as process (1986)New Ethnicities and Urban Culture: Racisms and Multiculture in Young Lives (1996)How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes (2023)What My Music Says About Me: Re-evaluating the ‘Badge’ Function of Music in the Context of Streaming (2024)Women, Fire, and Dangerous Things (1987)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)
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Cited by

  • 2016Toward a queer music therapy: The implications of queer theory for radically inclusive music therapy74 cited
  • 2016Technologically Mediated Transparency in Music Production16 cited
  • 2020Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies13 cited
  • 1995The end of the world as we know it: Popular music's cultural mobility12 cited
  • 2007Mediated Music Makers: Constructing Author Images in Popular Music12 cited
  • 2009Soziologie der Musikproduktion8 cited
  • 2011(Un)originality, hypertextuality and identity in Tiga's ‘Sunglasses at Night’8 cited
  • 2003Pop Sounds5 cited
  • 2003Pop Sounds4 cited
  • 1996John Oswald'sRubaiyat (Elektrax)and the politics of recombinant do‐re‐mi3 cited

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