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Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics
7 references·6 citing·36 second hop
Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics (1992)Jazzin' the Classics: The AACM's Challeng…The freedom principle: Jazz after 1958 (1984)The freedom principle: Jazz a…As Serious As Your Life. The Story of the New Jazz (1982)As Serious As Your Life. The …The Significance of the Relationship between Afro-American Music and West African Music (1974)The Significance of the Relat…The Jazz Tradition (1970)The Jazz TraditionJazz Dance: The Story of American Vernacular Dance (1969)Jazz Dance: The Story of Amer…The Theory of the Avant-Garde (1968)The Theory of the Avant-GardeBlack Metropolis--A Study of Negro Life in a Northern City. (1946)Black Metropolis--A Study of …Improvised Music after 1950: Afrological and Eurological Perspectives (2017)Improvised Music after 1950: …The Jazz Image (2010)The Jazz ImageRhizomes and plateaus (2010)Rhizomes and plateaus“Area by Area the Machine Unfolds”: The Improvisational Performance Practice of the Art Ensemble of Chicago (2008)“Area by Area the Machine Unf…Improvisation and Pedagogy: Background and Focus of Inquiry (2007)Improvisation and Pedagogy: B…Singing Omar's Song: A (Re)construction of Great Black Music (1998)Singing Omar's Song: A (Re)co…Improvisation: Its Nature And Practice In Music (1980)Border Crossings: Cultural Workers and the Politics of Education (1992)The games black girls play: learning the ropes from double-Dutch to hip-hop (2006)An Enactive Approach to Learning Music Theory? Obstacles and Openings (2019)Improvisation, Enaction, and Self-Assessment (2019)Feeling to Learn: Ideologies of Race, Aurality, and Manouche Music Pedagogy in France (2021)Emotion and Meaning in Music (1961)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Rethinking Interaction in Jazz Improvisation (2016)Improvisation and Social Aesthetics (2017)Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’sThe Complete Live at the Plugged Nickel 1965 (2019)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Le spectre culturel et politique des couleurs musicales : la « Great Black Music » selon les membres de l’AACM (2011)Welcome to the Jungle: New Positions in Black Cultural Studies (2013)Domination and the Arts of Resistance (2017)Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties (2003)Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination (2004)Jazz Fractures: F. Scott Fitzgerald and Epochal Representation (2000)Minimal Structures: From Jazz Improvisation to Product Innovation (2001)Gunther Schuller and the Challenge of Sonny Rollins: (2014)Extremely Disadvantaged Neighborhoods and Urban Crime (1996)Deadly Symbiosis (2001)Territorial Stigmatization in the Age of Advanced Marginality (2007)The Yoruba diaspora in the Atlantic world (2006)Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing (2008)Dance and Sexuality: Many Moves (2010)Perspectives on Consumer Culture (1990)The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (2000)The Cambridge Introduction to Modernist Poetry (2011)At the Crossroads: Rap Music and Its African Nexus (1996)Aspects of the Music/Text Relationship in Rap (2008)The Cambridge Companion to Hip-Hop (2015)The Cambridge History of American Music (1998)Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (2004)
this work references cited by second hop

References

  • 1946Black Metropolis--A Study of Negro Life in a Northern City.1,469 cited
  • 1969Jazz Dance: The Story of American Vernacular Dance205 cited
  • 1974The Significance of the Relationship between Afro-American Music and West African Music197 cited
  • 1982As Serious As Your Life. The Story of the New Jazz160 cited
  • 1968The Theory of the Avant-Garde147 cited
  • 1984The freedom principle: Jazz after 1958123 cited
  • 1970The Jazz Tradition45 cited

Cited by

  • 2008“Area by Area the Machine Unfolds”: The Improvisational Performance Practice of the Art Ensemble of Chicago26 cited
  • 1998Singing Omar's Song: A (Re)construction of Great Black Music26 cited
  • 2007Improvisation and Pedagogy: Background and Focus of Inquiry18 cited
  • 2010The Jazz Image13 cited
  • 2017Improvised Music after 1950: Afrological and Eurological Perspectives12 cited
  • 2010Rhizomes and plateaus4 cited

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