Improvised Music after 1950: Afrological and Eurological Perspectives

GEORGE E. LEWIS

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Musicology and Musical Analysis Music History and Culture Diverse Musicological Studies

Abstract

From Black Music Research Journal 16 (1996). Slightly modified and used by permission of the author.Trombonist, composer, improviser, and computer/installation artist George Lewis studied composition with Muhal Richard Abrams at the AACM (Association for the Advancement of Creative Musicians) School

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2011Silence : lectures and writings 1980Improvisation: Its Nature And Practice In Music 1995The Possessive Investment in Whiteness: Racialized Social Democracy and the "White" Problem in American Studies 1993Reclaiming the Epistemological Other: Narrative and the Social Constitution of Identity 1995Media matters: everyday culture and political change 1975Experimental Music: Cage and Beyond 1970Black nationalism and the revolution in music 1995Rationalizing Culture

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2017Improvisation and Social Aesthetics

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