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Improvised Music after 1950: Afrological and Eurological Perspectives
15 references·1 citing·33 second hop
Improvised Music after 1950: Afrological and Eurological Perspectives (2017)Improvised Music after 1950: Afrological …Association for the Advancement of Creative Musicians (2012)Association for the Advanceme…Silence : lectures and writings (2011)Silence : lectures and writin…The Possessive Investment in Whiteness: Racialized Social Democracy and the "White" Problem in American Studies (1995)The Possessive Investment in …Rationalizing Culture (1995)Rationalizing CultureMedia matters: everyday culture and political change (1995)Media matters: everyday cultu…The Roaring Silence -- John Cage: A Life (1993)The Roaring Silence -- John C…Reclaiming the Epistemological Other: Narrative and the Social Constitution of Identity (1993)Reclaiming the Epistemologica…Music Since 1945: Issues, Materials, and Literature (1993)Music Since 1945: Issues, Mat…New structures in jazz and improvised music since 1960 (1992)New structures in jazz and im…Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics (1992)Jazzin' the Classics: The AAC…As Serious As Your Life. The Story of the New Jazz (1982)As Serious As Your Life. The …Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Jazz Styles: History and Analysis (1978)Jazz Styles: History and Anal…Experimental Music: Cage and Beyond (1975)Experimental Music: Cage and …Black nationalism and the revolution in music (1970)Black nationalism and the rev…Improvisation and Social Aesthetics (2017)Improvisation and Social Aest…Foundations of social theory (1990)The Logic of Practice (1990)The Extended Case Method (1998)Collective Identity and Social Movements (2001)Using Narrative in Social Research (2005)The meaning of ‘meaning’ (2010)Crabgrass Frontier: The Suburbanization of the United States (1987)Dirty politics: deception, distraction, and democracy (1993)Whiteness as Property (1993)Establishing the Fact of Whiteness (1997)Representing Whiteness in the Black Imagination (1997)Beyond white privilege (2015)Thinking Dialectically About Culture and Communication (1999)Media-Hype (2005)A Conspiracy of Fishes, or, How We Learned to Stop Worrying About #GamerGate and Embrace Hegemonic Masculinity (2015)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Differences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation (2006)Sensemaking and sensegiving stories of jazz leadership (2012)The Flexibility Hypothesis of Healing (2016)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)After Adorno : rethinking music sociology (2003)Music and the materialization of identities (2011)New Public Management et professions dans l’État : au-delà des oppositions, quelles recompositions ? (2011)The Concept of Professionalism: Professional Work, Professional Practice and Learning (2014)Academic precarity as hierarchical dependence in the Max Planck Society (2016)The Cambridge History of American Music (1998)Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (2004)Sampling the 1970s in hip-hop (2003)Banding together: how communities create genres in popular music (2012)
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References

  • 2011Silence : lectures and writings864 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1995The Possessive Investment in Whiteness: Racialized Social Democracy and the "White" Problem in American Studies550 cited
  • 1993Reclaiming the Epistemological Other: Narrative and the Social Constitution of Identity542 cited
  • 1995Media matters: everyday culture and political change398 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 1970Black nationalism and the revolution in music218 cited
  • 1995Rationalizing Culture198 cited
  • 1982As Serious As Your Life. The Story of the New Jazz160 cited
  • 1978Jazz Styles: History and Analysis132 cited
  • 1993The Roaring Silence -- John Cage: A Life75 cited
  • 1993Music Since 1945: Issues, Materials, and Literature69 cited
  • 1992Jazzin' the Classics: The AACM's Challenge to Mainstream Aesthetics34 cited
  • 1992New structures in jazz and improvised music since 196032 cited
  • 2012Association for the Advancement of Creative Musicians22 cited

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  • 2017

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Improvisation and Social Aesthetics
11 cited