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ATHEISTIC AESTHETICS: THE SISYPHUS FRAGMENT, POETICS AND THE CREATIVITY OF DRAMA
16 references·3 citing·32 second hop
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References

  • 1996Athenian religion: a history551 cited
  • 1984The Art of Safe Criticism in Greece and Rome486 cited
  • 2011Coping With the Gods428 cited
  • 2000Deception and Democracy in Classical Athens391 cited
  • 2005Tragedy and Athenian Religion280 cited
  • 1975Two Doxographical Notes: Democritus and Prodicus on Religion192 cited
  • 2011Narrative and Identity in the Ancient Greek Novel186 cited
  • 2013Beyond the Second Sophistic182 cited
  • 2014Beyond the Second Sophistic: adventures in Greek postclassicism178 cited
  • 2008Dislodging "Embedded" Religion: A Brief Note on a Scholarly Trope128 cited
  • 1980The Trojan Trilogy of Euripides124 cited
  • 1989SISYPHUS AND THE INVENTION OF RELIGION (‘Critias’ TrGF 1 (43) F 19 = B 25 DK)121 cited
  • 2011Narrative and identity in the ancient Greek novel: returning romance116 cited
  • 1997Greek Religion and Philosophy in the Sisyphus Fragment112 cited
  • 1994‘Empathic understanding’: emotion and cognition in classical dramatic audience-response82 cited
  • 1990The 'Atheistic' Fragment from Euripides' Bellerophontes (286 N²)

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  • 2018Theomachy and Theology in Early Greek Myth100 cited
  • 2021The Scottish Enlightenment28 cited
  • 2021The Scientific Revolution17 cited