References

No references inside the corpus for this window.

Cited by

• 1994The Theater, the Market, and the Subject of History21 cited
• 2007Playing the Tourist in Early Modern London: Selling the Liberties Onstage19 cited
• 2000‘Easy women’: defining and confining the ‘feminine’ style in eighteenth-century print culture18 cited
• 2007Epicoene, or The Silent Woman15 cited
• 2009The Roaring Girl ’s London Spaces12 cited
• 2008“Rich Like a Lady”: Cross-Class Dressing in the Brothels and Theaters of Early Modern London12 cited
• 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
• 2007Sounding the Space between Men: Choric and Choral Cities in Ben Jonson'sEpicoene; or, The Silent Woman6 cited
• 2001Idolatry and Commodity Fetishism in The Antitheatrical Controversy6 cited
• 2007Prosthetic Absence in Ben Jonson'sEpicoene, The Alchemist,andBartholmew Fair5 cited
• 2005Civic Humanism and Gender Politics in Jonson's Catiline3 cited
• 2011An ‘absolute Mistris of her Self’: Anne Clifford and the Luxury of Hair1 cited