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Coplas de Todos Santos in Cochabamba: Language, Music, and Performance in Bolivian Quechua Song Dueling
14 references·1 citing·36 second hop
Coplas de Todos Santos in Cochabamba: Language, Music, and Performance in Bolivian Quechua Song Dueling (1994)Coplas de Todos Santos in Cochabamba: Lan…Metadiscursive Practices and Scholarly Authority in Folkloristics (1993)Metadiscursive Practices and …A Discourse-Centered Approach to Culture: Native South American Myths and Rituals (1993)A Discourse-Centered Approach…Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Sound and sentiment: birds, w…Popular song and popular grammar, poetry and metalanguage (1986)Popular song and popular gram…Performance and Honor in 13th-Century Iceland (1986)Performance and Honor in 13th…The Charango and the "Sirena": Music, Magic, and the Power of Love (1983)The Charango and the "Sirena"…Cantometrics: An Approach to the Anthropology of Music (1981)Cantometrics: An Approach to …Music as culture (1979)Music as culture6. Verbal Dueling in Chamula (1976)6. Verbal Dueling in ChamulaThe Strategy of Turkish Boys' Verbal Dueling Rhymes (1970)The Strategy of Turkish Boys'…Covert Categories and Folk Taxonomies (1968)Covert Categories and Folk Ta…El folklore musical uruguayo (1967)El folklore musical uruguayoHomo Ludens: A Study of the Play-Element in Culture. (1951)Homo Ludens: A Study of the P…Social Singing among the Mapuche (1949)Social Singing among the Mapu…The Art of Dueling with Words: Toward a New Understanding of Verbal Duels across the World (2009)The Art of Dueling with Words…The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Anthropology and Human Behavior (1962)toward a perceptual model of folk biological classification1 (1976)Ndumba Folk Biology and General Principles of Ethnobotanical Classification and Nomenclature (1983)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The Noun Classifiers of Cuchumatán Mayan Languages: A Case of Diffusion From Otomanguean (2012)Word and Object (1960)ASPECTS OF THE THEORY OF SYNTAX (1964)Lectures on government and binding . By Noam Chomsky. (Studies in generative grammar, 9.) Dordrecht, Holland, & Cinnaminson, NJ: Foris, 1981. Pp. 371. Cloth f 90.00, paper f 50.00. - Some concepts and consequences of the theory of government and binding . By Noam Chomsky. (Linguistic Inquiry monographs, 6.) Cambridge, MA: MIT Press, 1982. Pp. 110. Cloth $20.00, paper $7.95. (1984)The intimacies of power: rethinking violence and affinity in the Bolivian Andes (2002)A Developmental Analysis of Generic Nouns in Southern Peruvian Quechua (2010)Small and extinct languages of Northern Peru (2024)Putting Hierarchy in Its Place (1988)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Cultural Anthropology of Time: A Critical Essay (1992)Facing the State, Facing the World : Amazonia's Native Leaders and the New Politics of Identity (1993)Masks and the Semiotics of Identity (1995)Nanti evidential practice : language, knowledge, and social action in an Amazonian society (2008)Identity and agency in cultural worlds (1999)Games, Motivation, and Learning: A Research and Practice Model (2002)Gamification in theory and action: A survey (2014)Explorations in Urban Ethnomusicology: Hard Lessons from the Spectacularly Ordinary (1982)Music and Language (1994)Does Audiovisual Congruency in Advertisements Increase Persuasion? The Role of Cultural Music and Products (2009)Frontiers, Settlements, and Development in Folklore Studies, 1972-1985 (1986)a day at the Tibetan opera: actualized performance and spectacular discourse (1991)“Los Pastores” and the gifting of performance (1994)Tradition through Modernity: Postmodernism and the Nation-State in Folklore Scholarship (2005)Introduction. Public transcripts: entextualization and linguistic representation in institutional contexts (2009)Mathematics and the Body: Material Entanglements in the Classroom (2014)Discourse‐Centered Approach to Language and Culture (1987)Theorizing identity in language and sexuality research (2004)Gender and humor: The state of the art (2005)Performing identity within a multicultural framework (2005)CantoCore: A new cross-cultural song classification scheme (2020)The Global Jukebox: A public database of performing arts and culture (2022)
this work references cited by second hop

References

  • 1951Homo Ludens: A Study of the Play-Element in Culture.6,561 cited
  • 1990Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression789 cited
  • 1968Covert Categories and Folk Taxonomies174 cited
  • 1993A Discourse-Centered Approach to Culture: Native South American Myths and Rituals143 cited
  • 1993Metadiscursive Practices and Scholarly Authority in Folkloristics134 cited
  • 1981Cantometrics: An Approach to the Anthropology of Music118 cited
  • 1986Popular song and popular grammar, poetry and metalanguage107 cited
  • 1970The Strategy of Turkish Boys' Verbal Dueling Rhymes82 cited
  • 1986Performance and Honor in 13th-Century Iceland76 cited
  • 1979Music as culture65 cited
  • 1983The Charango and the "Sirena": Music, Magic, and the Power of Love47 cited
  • 1967El folklore musical uruguayo33 cited
  • 19766. Verbal Dueling in Chamula26 cited
  • 1949Social Singing among the Mapuche24 cited

Cited by

  • 2009The Art of Dueling with Words: Toward a New Understanding of Verbal Duels across the World39 cited

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