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A Response to a Response: On PCSet Relatedness
2 references·10 citing·37 second hop
A Response to a Response: On PCSet Relatedness (1979)A Response to a Response: On PCSet Relate…A Similarity Index for Pitch-Class Sets (1979)A Similarity Index for Pitch-…Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function" (1977)Forte's "Interval Vector, My …Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes (2019)Harmonic Perception and Voice…Zygonic Theory: Introduction, Scope, and Prospects (2009)Zygonic Theory: Introduction,…B ird's‐ E ye V iews of the M usical S urface : M ethods for S ystematic P itch ‐C lass S et A nalysis (2007)B ird's‐ E ye V iews of the M…Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling (2005)Mapping the Geometries of Pit…Associative Sets, Categories, and Music Analysis (2004)Associative Sets, Categories,…Dual Interval Space in Twentieth-Century Music (2003)Dual Interval Space in Twenti…Relative Saturation of Interval and Set Classes: A New Model for Understanding Pcset Complementation and Resemblance (2001)Relative Saturation of Interv…A Geometric Approach to PCSet Similarity (1999)A Geometric Approach to PCSet…The Interval Angle: A Similarity Measure for Pitch-Class Sets (1998)The Interval Angle: A Similar…The State of Research in Twelve-Tone and Atonal Theory (1989)The State of Research in Twel…Features of similarity. (1977)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches (2019)Reimagining Formal Functions in Post-Tonal Music (2023)The Structure of Atonal Music (1974)An Overview of Hierarchical Structure in Music (1983)Maximally Even Sets (1991)A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus (2009)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)Hierarchical multi-scale set-class analysis (2014)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Reconsidering Klumpenhouwer Networks (2007)Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Twelve-Tone Rows and Aggregate Melodies in the Music of Shostakovich (2015)A Theory of Set-Complexes for Music (1964)Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation (1990)Intervallic Relations in Atonal Music (1965)Pitch Class Set Categories As Analysis Tools For Degrees Of Tonality. (2010)Pseudo-distances between chords of different cardinality on generalized voice-leading spaces (2019)Segmentation and Process in Post-Tonal Music (1981)Variety and Multiplicity in Diatonic Systems (1985)Composition With Pitch-Classes (1987)Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)Emotion and Meaning in Music (1957)Thinking in jazz: the infinite art of improvisation (1995)Emotion Inferences from Vocal Expression Correlate Across Languages and Cultures (2001)Inversional Symmetry and Transpositional Combination in Bartok (1988)Vector Products and Intervallic Weighting (1994)Fretboard Transformations (2018)Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music (1992)Continuous Harmonic Spaces (2007)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)The Progression Vector: Modelling Aspects of Post-Tonal Harmony (2003)
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References

  • 1979A Similarity Index for Pitch-Class Sets52 cited
  • 1977Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function"39 cited

Cited by

  • 2003Dual Interval Space in Twentieth-Century Music23 cited
  • 1998The Interval Angle: A Similarity Measure for Pitch-Class Sets23 cited
  • 2004Associative Sets, Categories, and Music Analysis22 cited
  • 1999A Geometric Approach to PCSet Similarity16 cited
  • 2007B ird's‐ E ye V iews of the M usical S urface : M ethods for S ystematic P itch ‐C lass S et A nalysis11 cited
  • 1989The State of Research in Twelve-Tone and Atonal Theory10 cited
  • 2009Zygonic Theory: Introduction, Scope, and Prospects9 cited
  • 2001Relative Saturation of Interval and Set Classes: A New Model for Understanding Pcset Complementation and Resemblance6 cited
  • 2005Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling5 cited
  • 2019Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes4 cited

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