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Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship
16 references·2 citing·29 second hop
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this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2020Dialectic of Enlightenment5,765 cited
  • 1951Minima Moralia: Reflections from Damaged Life2,655 cited
  • 2009Powers of Desire; The Politics of Sexuality1,476 cited
  • 2012Eros and Civilization1,358 cited
  • 1983Loving with a Vengeance: Mass-Produced Fantasies for Women1,117 cited
  • 1983The Other Question…803 cited
  • 1981Women's Time792 cited
  • 1985Alice Doesn't: Feminism, Semiotics, Cinema673 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1982Film and the Masquerade: Theorising the Female Spectator643 cited
  • 1968Zur Logik der Sozialwissenschaften621 cited
  • 1983Masculinity as Spectacle338 cited
  • 1986Re-Vision: Essays in Feminist Film Criticism310 cited
  • 1983Women and Film Both Sides of the Camera302 cited
  • 1975The Imaginary Signifier279 cited

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  • 2013Becoming James Bond: Daniel Craig, rebirth, and refashioning masculinity inCasino Royale(2006).

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28 cited
  • 2008For the love of Jodie Foster: star demystification and national configuration16 cited