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Directed Motion in Schoenberg and Webern
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Cited by

  • 2017Tonality as Topic37 cited
  • 2017Inventing Tradition: Webern's Piano Variations in Early Recordings30 cited
  • 1972Sets and Nonsets in Schoenberg's Atonal Music26 cited
  • 2019Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function25 cited
  • 1999Concepts of Harmony and Prolongation in Schoenberg's Op. 19/221 cited
  • 2019Schoenberg's Atonal Music17 cited
  • 2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
  • 1981Tonal Focus in Atonal Music: Berg's op. 5/312 cited
  • 2004Transformational Streams: Unraveling Melodic Processes in Twentieth-Century Motivic Music5 cited
  • 1983Webern's Chromatic Organisation5 cited
  • 2019Ornamentation as Gesture in Atonal Music4 cited
  • 2024Alban Berg's Op. 5/2 and the Concept of Recomposition2 cited
  • 1974Schoenberg's ‘Atonal’ Music2 cited

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