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"At Last I Can Tell It to Someone!": Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s
0 references·7 citing·16 second hop
"At Last I Can Tell It to Someone!": Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s (1984)"At Last I Can Tell It to Someone!": Femi…Engaging Characters (2022)Engaging CharactersEngaging Characters (2022)Engaging Characters“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film (2014)“Something beneath the flesh”…The Maritorious Melodrama: Film Noir with a Female Detective (2009)The Maritorious Melodrama: Fi…Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s (2009)Shadows and Bogeymen: Horror,…‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946) (2009)‘From grade B thrillers to de…Constructing a Feminist Cinematic Genealogy: The Gothic Woman's Film beyond Psychoanalysis (2003)Constructing a Feminist Cinem…Visual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Men, women, and chain saws: gender in the modern horror film (1992)The Desire to Desire: The Woman's Film of The 1940s (1993)More than night: film noir in its contexts (1999)Distinction: A Social Critique of the Judgement of Taste* (2018)Loving with a Vengeance: Mass-Produced Fantasies for Women (1983)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Bossa Mundo (2019)The Women Who Knew Too Much, Hitchcock and Feminist Theory (1989)Lenin and Philosophy and Other Essays (1971)The Interpretation of Cultures (1974)Immersion vs. Engaged Interactivity in The Autobiography of Jane Eyre’s Storyworld; Or What We Can Learn from Paratextual Traces (2023)Characters in Film and Other Media (2025)Judgment under uncertainty: Heuristics and biases (1982)
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Cited by

  • 2022Engaging Characters42 cited
  • 2022Engaging Characters18 cited
  • 2014“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film13 cited
  • 2009‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946)10 cited
  • 2009The Maritorious Melodrama: Film Noir with a Female Detective8 cited
  • 2009Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s6 cited
  • 2003Constructing a Feminist Cinematic Genealogy: The Gothic Woman's Film beyond Psychoanalysis5 cited

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