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Transnational blackface, neo-minstrelsy and the ‘French Eddie Murphy’ inIntouchables
13 references·0 citing·30 second hop
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References

  • 2009We, the People of Europe?892 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 2004We, the people of Europe?: reflections on transnational citizenship547 cited
  • 1994Love and theft: blackface minstrelsy and the American working class474 cited
  • 1998Raising Cain: blackface performance from Jim Crow to Hip Hop457 cited
  • 1974Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films431 cited
  • 2007Laughing Mad: The Black Comic Persona in Post-Soul America178 cited
  • 2010Tap dancing America: a cultural history115 cited
  • 2012Burnt Cork: Traditions and Legacies of Blackface Minstrelsy85 cited
  • 2013Post-beur Cinema28 cited
  • 2005Masculinity in the Interracial Buddy Film25 cited
  • 2012Contemporary black American cinema: race, gender and sexuality at the movies20 cited
  • 2013Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 200011 cited

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